tag:blogger.com,1999:blog-83421526245582366452024-03-12T20:18:17.354-07:00Country Rock & AltcountryGenieten van prachtige CD's met unieke songs en memorabele concerten.P.http://www.blogger.com/profile/06014774026847073174noreply@blogger.comBlogger437125tag:blogger.com,1999:blog-8342152624558236645.post-41893809871070895502022-07-02T03:11:00.001-07:002022-07-02T03:11:18.077-07:00Big Thief juni 2022P.http://www.blogger.com/profile/06014774026847073174noreply@blogger.com0tag:blogger.com,1999:blog-8342152624558236645.post-10350343256823982332021-03-06T05:06:00.001-08:002021-03-06T05:06:54.157-08:00In New Interview, John Mayer Eyes 2022 for Dead & Company Tour<a href="https://jambands.com/news/2021/03/04/in-new-interview-john-mayer-eyes-2022-for-dead-company-tour/#.YEN-XqkRbxM.blogger">In New Interview, John Mayer Eyes 2022 for Dead & Company Tour</a>: John Mayer recently took some time to appear on his pal Andy Cohen's Radio Andy program, and it was a matter of time before the conversation made its wayP.http://www.blogger.com/profile/06014774026847073174noreply@blogger.com0tag:blogger.com,1999:blog-8342152624558236645.post-42933025416386674652020-01-12T05:54:00.000-08:002020-01-12T05:54:24.486-08:00Leif de Leeuw inBeatforthuis op 10 januari 2020<span style="-webkit-text-stroke-width: 0px; background-color: white; color: #666666; display: inline !important; float: none; font-family: Arial,Helvetica,Sans-Serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: 20px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Dutch contemporary Blues-Rock band. Winner Dutch Blues Challenge 2014, European Blues Award 2015, Sena Guitar Awards 2009/2013.</span><b></b><i></i><u></u><sub></sub><sup></sup><strike></strike>P.http://www.blogger.com/profile/06014774026847073174noreply@blogger.com0tag:blogger.com,1999:blog-8342152624558236645.post-40744373885379469302020-01-10T05:02:00.003-08:002020-01-10T05:02:49.873-08:00Cryptografische specificaties NL eID privacy enhancing technology beschikbaar oktober 2019<header aria-label="Newsletter header" id="reader-article-header" style="-webkit-text-stroke-width: 0px; background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: inherit; color: rgba(0, 0, 0, 0.9); display: block; font-family: -apple-system,system-ui,BlinkMacSystemFont,Segoe UI,Roboto,Helvetica Neue,Fira Sans,Ubuntu,Oxygen,Oxygen Sans,Cantarell,Droid Sans,Apple Color Emoji,Segoe UI Emoji,Segoe UI Symbol,Lucida Grande,Helvetica,Arial,sans-serif; font-size: 100%; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; orphans: 2; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; white-space: normal; word-spacing: 0px;"><h1 class="reader-article-header__title t-40 t-black t-normal pv4" dir="ltr" style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: inherit; color: rgba(0, 0, 0, 0.9); font-size: 4rem; font-weight: 700; line-height: 1.2; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 16px; padding-left: 0px; padding-right: 0px; padding-top: 16px; vertical-align: baseline;">
Cryptografische specificaties NL eID privacy enhancing technology beschikbaar</h1>
<ul class="reader-article-header__meta t-14 t-black--light t-normal mv4" style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: inherit; color: rgba(0, 0, 0, 0.6); display: flex; font-size: 1.4rem; font-weight: 400; line-height: 1.4285; list-style-image: none; list-style-position: outside; list-style-type: none; margin-bottom: 16px; margin-left: 0px; margin-right: 0px; margin-top: 16px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">
<li style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: inherit; font-size: 100%; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">
<time class="reader-article-header__publish-date" style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: inherit; font-size: 100%; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 24px; padding-top: 0px; vertical-align: baseline;">
Published on October 31, 2019
</time>
</li>
</ul>
</header><span style="-webkit-text-stroke-width: 0px; background-color: white; color: rgba(0, 0, 0, 0.9); display: inline !important; float: none; font-family: -apple-system,system-ui,BlinkMacSystemFont,Segoe UI,Roboto,Helvetica Neue,Fira Sans,Ubuntu,Oxygen,Oxygen Sans,Cantarell,Droid Sans,Apple Color Emoji,Segoe UI Emoji,Segoe UI Symbol,Lucida Grande,Helvetica,Arial,sans-serif; font-size: 100%; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; overflow-wrap: break-word; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">
</span><br />
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<div class="display-flex align-items-center justify-space-between ember-view" id="ember40" style="align-items: center; background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: inherit; display: flex; font-size: 100%; justify-content: space-between; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">
<artdeco-entity-lockup class="artdeco-entity-lockup--size-4 artdeco-entity-lockup ember-view" id="ember41" size="4" style="box-sizing: inherit; display: flex;"><artdeco-entity-lockup-image class="artdeco-entity-lockup__image artdeco-entity-lockup__image--type-circle ember-view" id="ember42" style="box-sizing: inherit; flex-shrink: 0; position: relative;" type="circle"><a class="reader-author-info__meta-image ember-view" data-control-name="read_profile" href="https://www.linkedin.com/in/eric-verheul-5992101/" id="ember43" style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: inherit; color: #0073b1; font-size: 100%; font-weight: 600; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; touch-action: manipulation; vertical-align: baseline;"> <div class="ml2 feed-shared-avatar-image b0 member ember-view" id="ember44" style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: inherit; flex-shrink: 0; font-size: 100%; line-height: 0; margin-bottom: 0px; margin-left: 8px; margin-right: 0px; margin-top: 0px; overflow: hidden; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">
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<img alt="Eric Verheul" class="avatar member EntityPhoto-circle-4 presence-entity__image EntityPhoto-circle-4 lazy-image loaded ember-view" id="ember46" src="https://media-exp1.licdn.com/dms/image/C5103AQGJi_vIEfc5-g/profile-displayphoto-shrink_100_100/0?e=1583971200&v=beta&t=bdU9j_Uf8Xr8JpXstSSW-84AcyL3LqgRE3-K4EMxdyA" style="background-attachment: scroll; background-clip: content-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: cover; border-bottom-color: transparent; border-bottom-left-radius: 49.9%; border-bottom-right-radius: 49.9%; border-bottom-style: solid; border-bottom-width: 2px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: transparent; border-left-style: solid; border-left-width: 2px; border-right-color: transparent; border-right-style: solid; border-right-width: 2px; border-top-color: transparent; border-top-left-radius: 49.9%; border-top-right-radius: 49.9%; border-top-style: solid; border-top-width: 2px; box-sizing: border-box; font-size: 100%; height: 56px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; max-height: 100%; max-width: 100%; opacity: 1; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: bottom; width: 56px;" title="Eric Verheul" />
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Eric Verheul
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<span class="lt-line-clamp__line" style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: inherit; font-size: 100%; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Information security consultant specializing in</span>
<span class="lt-line-clamp__line lt-line-clamp__line--last" style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: inherit; font-size: 100%; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">
innovative cryptographic applications</span> <span class="lt-line-clamp__ellipsis lt-line-clamp__ellipsis--dummy" style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: inherit; font-size: 100%; left: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; position: fixed; top: 0px; vertical-align: baseline; visibility: hidden;"><br /></span></div>
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Op <a href="https://wiki.bsn-koppelregister.nl/display/DC/3.+Downloads" rel="nofollow noopener" style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: inherit; color: #0073b1; font-size: 100%; font-weight: 400; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-wrap: break-word; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; touch-action: manipulation; vertical-align: baseline;" target="_blank">https://wiki.bsn-koppelregister.nl/display/DC/3.+Downloads</a> staan de specificaties en decryptie software (Java) voor de privacy enhancing technology voorzien binnen het Nederlandse eID stelsel. Dit staat bekend als PEP (Polymorphic Encryption and Pseudonimation). Het PEP startpunt is – fundamenteel anders dan dat van bijvoorbeeld <a href="https://privacybydesign.foundation/irma/" rel="nofollow noopener" style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: inherit; color: #0073b1; font-size: 100%; font-weight: 400; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-wrap: break-word; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; touch-action: manipulation; vertical-align: baseline;" target="_blank">IRMA </a>– die van een gecentraliseerde opzet (‘federatie’): de authenticatie vindt plaats bij een authenticatiedienst die het resultaat doorgeeft aan een dienstverlener. </div>
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Voor dit startpunt is gekozen omdat ervaringen uit andere landen zoals Duitsland aangeven dat een gedecentraliseerde (‘directe’) benadering belastend kan zijn voor dienstverleners. Dit onder meer omdat dienstverleners dan middel specifieke protocollen moeten implementeren en middel specifieke helpdesks moeten inzetten. PEP beoogt evenwel de “ontzorging” van een gecentraliseerde authenticatie opzet te combineren met de privacy en security voordelen van een gedecentraliseerde oplossing. Toepassing van PEP is authenticatie technologie neutraal en kan worden gecombineerd met reguliere vormen van authenticatie (ook IRMA). In mei 2018 heeft PEP een security beoordeling door de universiteit van Birmingham glansrijk doorstaan. PEP wordt nu al toegepast voor het aanloggen vanuit Nederland in andere lidstaten via eHerkenning (eIDAS interoperabiliteit).</div>
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De cryptografische specificatie van PEP-eID staan in de subdirectory /pep-crypto-documentation/10-Reference. De specificatie start met de niet-technische achtergrond van PEP en de rationale voor de gekozen opzet. Daarnaast omvatten de specificaties ook innovatieve overheidstoepassingen die met PEP mogelijk worden zoals privacy vriendelijke gegevensuitwisseling in de zorg (www.medmij.nl) en stemmen vanuit het buitenland.</div>
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Het PEP paradepaardje is DigiD Hoog dat een fundamenteel privacy probleem oplost in een gecentraliseerde opzet. DigiD Hoog is gebaseerd op een eID kaartapplicatie (Polymorphic Card Application of PCA) die reeds sinds vorig jaar aanwezig is op het Nederlandse rijbewijs; de Nederlandse identiteitskaart volgt later (aanpassing paspoort wet). Op dit moment zijn ongeveer 3 miljoen rijbewijzen uitgegeven geschikt voor DigiD Hoog en dat aantal groeit met ongeveer 35.000 per week.</div>
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Aangaande privacy probleem dat DigiD Hoog opgelost: in een standaard gecentraliseerde authenticatie opzet krijgt de authenticatie dienst zowel inzicht in de identiteit van de gebruiker als van de dienstverlener die deze wenst te bezoeken. Het bezoek aan sommige dienstverleners (bijvoorbeeld in de zorg) kan zelfstandig al als bijzonder persoonsgegeven worden bestempeld. DigiD Hoog lost dit privacy issue op door aanloggen anoniem te laten plaatsvinden. Dat wil zeggen: de (gecentraliseerde) authenticatie dienst DigiD verstrekt een gerandomiseerd, versleuteld BSN van een burger aan een dienstverlener zonder zelf inzage in te krijgen in het BSN of dit te kunnen linken. Doordat DigiD wel weet bij welke dienstverlener de burger wil aanloggen, kan deze wel worden beschermd tegen browser malware (‘man-in-the-browser’ malware). Daarmee is zowel hoge privacy als security mogelijk en hoeft hiertussen geen keuze te worden gemaakt zoals in andere landen wel is gedaan. Vorig jaar is een succesvolle pilot uitgevoerd met DigiD Hoog. Als alternatief voor een separate kaartlezer konden gebruikers ook hun “NFC-enabled” telefoon gebruiken. Tot voor kort waren dat alleen Android gebaseerde telefoons maar recent zijn ook Apple toestellen (iPhones) geschikt.</div>
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PEP (en ook de eID kaart) ondersteunt naast het BSN ook pseudoniemen zoals ook sterk geadviseerd in de AVG. Ter illustratie, toepassing van het BSN in een attributen register waarin alleen wordt bijgehouden dat iemand ouder dan 18 lijkt niet in lijn met het AVG “data minimization” beginsel; zeker niet als de bevragende diensten (bijvoorbeeld zorg of goksites) privacy gevoelig zijn. Bij gebruik van het BSN zou de attribuut diensten immers bij iedere bevraging inzicht krijgen wie de dienst bezoekt. Een machtiging register hoeft ook niet het BSN van de gemachtigde te kennen; een pseudoniem kan daar ook volstaan.</div>
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Naast de gebruikelijk eigenschappen hebben PEP pseudoniemen ook bijzondere eigenschappen. Homomorfe cryptografie realiseert bijvoorbeeld dat een authenticatiedienst zoals DigiD de pseudoniemen vormt zonder er inzage in te krijgen; alleen de dienstverlener en betrokkene krijgen inzage. Doordat verder versleutelde BSNs en pseudoniemen digitaal getekend zijn (EC-Schnorr), kunnen zij ook end-to-end privacy en end-to-end security leveren zoals in een decentrale opzet. De eerste eigenschap betekent dat ‘tussenliggende’ partijen zoals makelaars geen inzage krijgen in de identiteiten (BSNs en pseudoniemen), de tweede betekent dat deze partijen de identiteiten niet kunnen manipuleren. PEP voorkomt daarmee dus ook het ontstaan van privacy hotspots waar in verleden discussie over was (de ‘authenticatiepooiers’).</div>
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Met de toepassing van PEP ontstaat een krachtige security infrastructuur ook geschikt voor toepassing van AVG beginselen “data protection by design” en “data minimization” binnen (toekomstige) Nederlandse overheid toepassingen. De ondersteuning van pseudoniemen maakt ook integratie mogelijk van publieke en private authenticatiediensten, hetgeen onderliggend is aan het Scandinavische eID succes. Doordat de pseudoniemen zijn afgeleid van het BSN zijn ze uniek per dienstverlener waarmee bijvoorbeeld ook marktplaats fraude en social media trolling zou kunnen worden gemitigeerd: een gebruiker kan dan immers maar één keer een “eID verified” account aanvragen.</div>
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<artdeco-entity-lockup class="display-flex align-items-center artdeco-entity-lockup--size-3 artdeco-entity-lockup ember-view" id="ember71" size="3" style="align-items: center; box-sizing: inherit; display: flex;"><artdeco-entity-lockup-image class="artdeco-entity-lockup__image artdeco-entity-lockup__image--type-circle ember-view" id="ember72" style="box-sizing: inherit; flex-shrink: 0; position: relative;" type="circle"><a class="ember-view" data-control-name="read_profile" href="https://www.linkedin.com/in/eric-verheul-5992101/" id="ember73" style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: inherit; color: #0073b1; font-size: 100%; font-weight: 600; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; touch-action: manipulation; vertical-align: baseline;"> <div class="ivm-image-view-model ember-view" id="ember74" style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: inherit; font-size: 100%; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">
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</artdeco-entity-lockup-image><artdeco-entity-lockup-content class="display-flex flex-column artdeco-entity-lockup__content ember-view" id="ember79" style="align-self: center; box-sizing: inherit; display: flex; flex-direction: column; padding-left: 4px;"><artdeco-entity-lockup-title class="artdeco-entity-lockup__title ember-view" id="ember80" style="box-sizing: inherit; color: rgba(0, 0, 0, 0.9); display: inline-block; font-size: 1.6rem; font-weight: 600; line-height: 1.5;"><a class="hoverable-link-text link-without-visited-state t-black t-14 ember-view" data-control-name="read_profile" href="https://www.linkedin.com/in/eric-verheul-5992101/" id="ember81" style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: inherit; color: rgba(0, 0, 0, 0.9); font-size: 1.4rem; font-weight: 600; line-height: 1.4285; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; touch-action: manipulation; vertical-align: baseline;"> <span dir="ltr" style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: inherit; font-size: 100%; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Eric Verheul</span>
</a>
</artdeco-entity-lockup-title><artdeco-entity-lockup-subtitle class="artdeco-entity-lockup__subtitle ember-view" id="ember82" style="box-sizing: inherit; color: rgba(0, 0, 0, 0.9); display: block; font-size: 1.4rem; font-weight: 400; line-height: 1.4285;"> <div class="reader-ugc-post-bar__headline t-black--light t-12 feed-shared-text-view white-space-pre-wrap break-words ember-view" id="ember83" style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: inherit; color: rgba(0, 0, 0, 0.6); font-size: 1.2rem; line-height: 1.3333; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; max-width: 425px; overflow-wrap: break-word; overflow: hidden; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-overflow: ellipsis; vertical-align: baseline; white-space: nowrap;">
<span style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: inherit; font-size: 100%; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Information security consultant specializing in innovative cryptographic applications</span></div>
</artdeco-entity-lockup-subtitle><artdeco-entity-lockup-metadata class="artdeco-entity-lockup__metadata ember-view" id="ember86" style="box-sizing: inherit; color: rgba(0, 0, 0, 0.6); display: block; font-size: 1.2rem; font-weight: 400; line-height: 1.3333;"> <div class="feed-shared-text-view white-space-pre-wrap break-words ember-view" id="ember87" style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: inherit; font-size: 100%; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-wrap: break-word; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline; white-space: pre-wrap;">
<span style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: inherit; font-size: 100%; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><span class="ember-view" id="ember90" style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: inherit; font-size: 100%; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><span style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: inherit; font-size: 100%; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Published • 2mo</span></span></span></div>
</artdeco-entity-lockup-metadata></artdeco-entity-lockup-content>
</artdeco-entity-lockup>
<div class="display-flex align-items-flex-start" style="align-items: flex-start; background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: inherit; display: flex; font-size: 100%; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">
<a class="reader-ugc-post-bar__total-articles hoverable-link-text link-without-visited-state ember-view" data-control-name="total-articles-link" href="https://www.linkedin.com/in/eric-verheul-5992101/detail/recent-activity/posts/" id="ember92" style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: inherit; color: #0073b1; font-size: 14px; font-weight: 600; line-height: 24px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; touch-action: manipulation; vertical-align: baseline;"> 2 articles
</a> <button aria-label="Follow" aria-pressed="true" class="follow reader-ugc-post-bar__follow-button artdeco-button artdeco-button--secondary artdeco-button--1 ml4 is-following ember-view" data-control-name="actor_follow_toggle" id="ember93" style="align-items: center; background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-left-radius: 2px; border-bottom-right-radius: 2px; border-bottom-style: none; border-bottom-width: medium; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: medium; border-right-color: currentColor; border-right-style: none; border-right-width: medium; border-top-color: currentColor; border-top-left-radius: 2px; border-top-right-radius: 2px; border-top-style: none; border-top-width: medium; box-shadow: inset 0px 0px 0px 1px #0073b1; box-sizing: border-box; color: #0073b1; cursor: pointer; display: inline-flex; font-family: inherit; font-size: 1.4rem; font-weight: 600; justify-content: center; line-height: 2rem; margin-left: 16px; max-width: 480px; min-height: 2.4rem; overflow: hidden; padding-bottom: 0.2rem; padding-left: 0.8rem; padding-right: 0.8rem; padding-top: 0.2rem; text-align: center; touch-action: manipulation; transition-duration: 167ms; transition-property: background-color, box-shadow, color; transition-timing-function: cubic-bezier(0.4, 0, 0.2, 1); vertical-align: middle;"> <li-icon aria-hidden="true" class="artdeco-button__icon" size="small" style="box-sizing: inherit; display: inline-block; height: 16px; margin-bottom: 0px; margin-left: -2px; margin-right: 4px; margin-top: 0px; overflow: hidden; position: relative; width: 16px;" type="check-icon"><svg data-supported-dps="16x16" fill="currentColor" focusable="false" height="16" style="box-sizing: inherit; display: block; margin-bottom: auto; margin-left: auto; margin-right: auto; margin-top: auto; vertical-align: top;" width="16" xmlns="http://www.w3.org/2000/svg">
<path d="M 15 3 L 6.57 13.72 A 0.7 0.7 0 0 1 6 14 a 0.72 0.72 0 0 1 -0.56 -0.27 L 1 8.07 L 2.36 7 L 6 11.72 L 13.68 2 Z" style="box-sizing: inherit;">
</path></svg></li-icon>
<span aria-hidden="true" style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: inherit; font-size: 100%; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Following</span>
</button>
</div>
</div>
<div class="pv2 t-14" style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: inherit; font-size: 1.4rem; line-height: 1.4285; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 8px; padding-left: 0px; padding-right: 0px; padding-top: 8px; vertical-align: baseline;">
<div class="feed-shared-text-view white-space-pre-wrap break-words ember-view" id="ember94" style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: inherit; font-size: 100%; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-wrap: break-word; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline; white-space: pre-wrap;">
<span style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: inherit; font-size: 100%; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><span class="ember-view" id="ember97" style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: inherit; font-size: 100%; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><span style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: inherit; font-size: 100%; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"> </span><a class="hashtag-link ember-view" data-control-name="hashtag" href="https://www.linkedin.com/feed/hashtag/?keywords=%23PEP" id="ember100" style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: inherit; color: #0073b1; font-size: 100%; font-weight: 600; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; touch-action: manipulation; vertical-align: baseline;" target="_self"><span class="hashtag-a11y ember-view" dir="ltr" id="ember101" style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: inherit; font-size: 100%; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><span class="visually-hidden" style="-ms-user-select: none; background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: inherit; clip: rect(0px, 0px, 0px, 0px); display: block; font-size: 100%; height: 1px; margin-bottom: -1px; margin-left: -1px; margin-right: -1px; margin-top: -1px; outline-color: invert; outline-style: none; outline-width: 0px; overflow: hidden; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; position: absolute; vertical-align: baseline; white-space: nowrap; width: 1px;">hashtag</span><span aria-hidden="true" style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: inherit; font-size: 100%; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">#</span><span class="hashtag-a11y__name" style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: inherit; font-size: 100%; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">PEP</span></span></a><span style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: inherit; font-size: 100%; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">-eID</span></span></span></div>
</div>
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<b></b><i></i><u></u><sub></sub><sup></sup><strike></strike><br />P.http://www.blogger.com/profile/06014774026847073174noreply@blogger.com0tag:blogger.com,1999:blog-8342152624558236645.post-37168002060965108422019-11-27T06:45:00.001-08:002019-11-27T06:45:10.604-08:00The Amazon Music Boycott Is Growing <h1 class="title" itemprop="headline">
The Amazon Music Boycott Is Growing
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</h2>
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<span itemprop="author"><a href="https://www.spin.com/author/tostenburks/">Tosten Burks</a></span>
<span class="date" content="2019-11-26T16:49:40+00:00" itemprop="datePublished">// November 26, 2019</span>
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On Tuesday, November 26, <a href="https://www.spin.com/tag/jpegmafia" rel="noopener noreferrer" target="_blank">JPEGMAFIA</a>
became the latest musician to withdraw from the lineup of Intersect, a
new Las Vegas music festival funded and presented by Amazon Web
Services. Representatives of the celebrated art-rapper did not provide a
reason for his decision to SPIN, but it comes against the backdrop of a
rising tide of protest by independent musicians against Amazon for the
tech behemoth’s contracts with Palantir, a data-mining company that
provides software for federal Immigration and Customs Enforcement.<br />
In October, prompted by the announcement of Intersect, more than 1,000 musicians <a href="https://www.fightforthefuture.org/news/2019-10-24-no-music-for-ice-open-letter-from-musicians-to/" rel="noopener noreferrer" target="_blank">signed a pledge</a>
not to participate in Amazon-sponsored events or exclusive Amazon
partnerships until the company terminates its relationship with
Palantir, among other demands. Organizers of the campaign, dubbed No
Music for ICE, escalated their tactics this week, with a call for
participating musicians to also remove their catalogs from Amazon Music
Unlimited, the company’s music streaming service. Acclaimed indie bands <a href="https://www.spin.com/tag/deerhoof" rel="noopener noreferrer" target="_blank">Deerhoof</a>, <a href="http://spin.com/tag/downtown-boys" rel="noopener noreferrer" target="_blank">Downtown Boys</a>, <a href="http://spin.com/tag/speedy-ortiz" rel="noopener noreferrer" target="_blank">Speedy Ortiz</a>, and <a href="http://spin.com/tag/told-slant" rel="noopener noreferrer" target="_blank">Told Slant</a>
are among those who have already directed distributors to pull
their albums from the platform. Signees of the initial boycott of Amazon
events include <a href="https://www.spin.com/tag/fugazi" rel="noopener noreferrer" target="_blank">Fugazi</a>’s Guy Picciotto, <a href="https://www.spin.com/tag/vivian-girls" rel="noopener noreferrer" target="_blank">Vivian Girls</a>, <a href="https://www.spin.com/tag/ted-leo" rel="noopener noreferrer" target="_blank">Ted Leo</a>, and <a href="https://www.spin.com/tag/car-seat-headrest" rel="noopener noreferrer" target="_blank">Car Seat Headrest</a>.<br />
“It is time to say NO to ICE and the tech companies that power it, like Amazon,” the organizers <a href="https://medium.com/@fightfortheftr/no-music-for-ice-musicians-pull-your-music-from-amazon-this-holiday-season-2d17c0db7179" rel="noopener noreferrer" target="_blank">wrote in an open letter</a>
on Sunday. “A mass, collective takedown is an escalation, another step
in musicians acting in solidarity with the numerous groups across the
country protesting to shut down ICE and end family separations,
deportations, and other horrors.”<br />
Amazon Web Services, the company’s cloud computing division, hosts a
whopping portion of the internet on its servers, including Netflix,
Lyft, and AirBnB. AWS’s client list also includes <a href="https://www.washingtonpost.com/business/2019/08/22/war-inside-palantir-data-mining-firms-ties-ice-under-attack-by-employees/" rel="noopener noreferrer" target="_blank">Palantir</a>,
a largely secretive company co-founded by the notorious billionaire
venture capitalist Peter Thiel, which develops the case management
software that ICE uses to <a href="https://theintercept.com/2019/05/02/peter-thiels-palantir-was-used-to-bust-hundreds-of-relatives-of-migrant-children-new-documents-show/" rel="noopener noreferrer" target="_blank">target immigrants</a>,
including parents of unaccompanied minors, for criminal prosecution. In
2018, ICE held a daily average of 44,631 people in detention, the <a href="https://www.thedailybeast.com/ice-is-imprisoning-a-record-44000-people" rel="noopener noreferrer" target="_blank">highest number</a> in the agency’s 16-year history.<br />
Chicago-based dance music producer and DJ <a href="https://www.spin.com/tag/the-black-madonna" rel="noopener noreferrer" target="_blank">The Black Madonna</a> was the first artist to withdraw from Intersect after the lineup was unveiled. She <a href="https://www.instagram.com/p/B3y5bVMnKFR/" rel="noopener noreferrer" target="_blank">credited</a> her
decision to Amazon’s indirect ties with ICE, and alleged that she had
not been informed that Intersect was Amazon-affiliated when she signed
on to perform, a claim Amazon representatives have denied.
Representatives for seven artists still on the Intersect bill declined
to comment on their involvement, or whether they had been informed of
Amazon’s involvement.<br />
Organizers told SPIN that No Music for ICE was inspired by similar campaigns by tech workers and <a href="https://mijente.net/notechforice/" rel="noopener noreferrer" target="_blank">immigrant rights organizations</a>,
and also by online discourse about Intersect after the lineup was
announced. “It seemed to me a bit wrong that so much of the attention
was going on artists, you know, calling them out, rather than going
towards why it is that musicians shouldn’t want to work with Amazon, and
how many of us don’t, and sort of formally voicing that,” Speedy Ortiz
guitarist and bandleader Sadie Dupuis, an organizer of the campaign,
told SPIN.<br />
Employees at <a href="https://twitter.com/WeWontBuildIt" rel="noopener noreferrer" target="_blank">Amazon</a>, <a href="https://twitter.com/githubbers" rel="noopener noreferrer" target="_blank">Microsoft</a>, and <a href="https://www.theguardian.com/technology/2019/aug/16/hundreds-of-google-employees-urge-company-to-resist-support-for-ice" rel="noopener noreferrer" target="_blank">Google</a>
have organized petitions in the past year demanding that their
companies reject existing and prospective contracts with both ICE itself
and third party firms like Palantir that develop the agency’s
software. The Seattle software company Chef <a href="https://www.wired.com/story/software-company-chef-wont-renew-ice-contact/" rel="noopener noreferrer" target="_blank">announced</a>
in September that it would not renew an ICE contract after employees
protested. And in a precedent for the artist-organizers of No Music for
ICE, two major independent comics festivals, Bethesda’s Small Press Expo
and the Toronto Comics Art Festival, dropped the Amazon-owned comics
distribution platform ComiXology as a sponsor after nearly 200 artists
and industry workers <a href="https://medium.com/@cartoonistsagainstamazon/an-open-letter-to-comics-festivals-3b484345ef1b" rel="noopener noreferrer" target="_blank">published an open letter</a> criticizing Amazon’s relationship with Palantir. (Both festivals declined to comment.)<br />
Kate M., a tech organizer and musician who helped organize No Music
for ICE (and declined to share her last name), said that artists in the
streaming era share common ground with tech workers. “It’s important to
realize that, as musicians, if we are taking paychecks from Amazon, we
are tech workers too, and have the power to withhold our labor and
affect Amazon’s bottom line,” she told SPIN. “This seems like a logical
moment for us to start building our movement.”<br />
The <a href="https://medium.com/@fightfortheftr/no-music-for-ice-musicians-pull-your-music-from-amazon-this-holiday-season-2d17c0db7179" rel="noopener noreferrer" target="_blank">open letter</a>
includes step-by-step instructions for removing music from Amazon. It
also acknowledges the cost of taking a stand, claiming that, for major
rock acts, the platform accounts for around four percent of an album’s
first-week streams. It’s a relatively small share compared to the
dominance of Apple and Spotify in the music market, but not immaterial.
Still, this dynamic makes it easier for a musician to withhold work from
Amazon than it might be for, say, a cartoonist. “Not every author can
afford to extract themselves from Amazon completely,” Michael DeForge,
an artist who helped organize the cartoonist campaign, told SPIN.<br />
Three labels—Philadelphia’s Get Better, London’s Damnably, and
Barcelona’s Sidefunk—said they have issued takedowns to Amazon for their
entire roster. Amazon did not respond to multiple requests for comment.<br />
<em>If you would like to share any interesting information, email me at tosten.burks@spin.com.</em><br />
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<a href="https://www.spin.com/author/tostenburks/">Tosten Burks</a>
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<a class="twitter" href="https://www.twitter.com/tostenburks">@tostenbur</a>P.http://www.blogger.com/profile/06014774026847073174noreply@blogger.com0tag:blogger.com,1999:blog-8342152624558236645.post-12043889611859913312019-11-25T04:04:00.001-08:002019-11-25T04:04:12.567-08:00Jim Sullivan <div class="css-1vkm6nb ehdk2mb0">
<h1 class="css-fnr6md e1h9rw200" id="link-5da5a948" itemprop="headline">
<span class="balancedHeadline" style="display: inline-block; max-width: 503.086px;">Jim Sullivan, a Rock ’n’ Roll Mystery That Remains Stubbornly Unsolved</span></h1>
</div>
<div class="css-1ifw933 e1wiw3jv0" id="article-summary">
In
1975, the psych-folk musician vanished in Santa Rosa, N.M. A new
reissue of his self-titled album only deepens the puzzle of his life and
career. </div>
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<img alt="" itemid="https://static01.nyt.com/images/2019/11/17/arts/17JIM-SULLIVAN1/merlin_164000646_4ed507c6-ab92-4d19-9dc2-8ee3052c4fec-articleLarge.jpg?quality=75&auto=webp&disable=upscale" itemprop="url" sizes="((min-width: 600px) and (max-width: 1004px)) 84vw, (min-width: 1005px) 80vw, 100vw" src="https://static01.nyt.com/images/2019/11/17/arts/17JIM-SULLIVAN1/merlin_164000646_4ed507c6-ab92-4d19-9dc2-8ee3052c4fec-articleLarge.jpg?quality=75&auto=webp&disable=upscale" srcset="https://static01.nyt.com/images/2019/11/17/arts/17JIM-SULLIVAN1/merlin_164000646_4ed507c6-ab92-4d19-9dc2-8ee3052c4fec-articleLarge.jpg?quality=90&auto=webp 600w,https://static01.nyt.com/images/2019/11/17/arts/17JIM-SULLIVAN1/merlin_164000646_4ed507c6-ab92-4d19-9dc2-8ee3052c4fec-jumbo.jpg?quality=90&auto=webp 1024w,https://static01.nyt.com/images/2019/11/17/arts/17JIM-SULLIVAN1/merlin_164000646_4ed507c6-ab92-4d19-9dc2-8ee3052c4fec-superJumbo.jpg?quality=90&auto=webp 2048w" style="opacity: 1;" /></div>
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<figure aria-label="media" class="sizeLarge layoutHorizontal css-1ox9jel" itemid="https://static01.nyt.com/images/2019/11/17/arts/17JIM-SULLIVAN1/merlin_164000646_4ed507c6-ab92-4d19-9dc2-8ee3052c4fec-articleLarge.jpg?quality=90&auto=webp" itemprop="associatedMedia" itemscope="" itemtype="http://schema.org/ImageObject" role="group"><div class="css-bsn42l">
<img alt="The musician Jim Sullivan started a trip from California to Nashville in 1975. He was last seen in New Mexico, and his disappearance remains unsolved." class="css-11cwn6f" itemid="https://static01.nyt.com/images/2019/11/17/arts/17JIM-SULLIVAN1/merlin_164000646_4ed507c6-ab92-4d19-9dc2-8ee3052c4fec-articleLarge.jpg?quality=75&auto=webp&disable=upscale" itemprop="url" sizes="((min-width: 600px) and (max-width: 1004px)) 84vw, (min-width: 1005px) 80vw, 100vw" src="https://static01.nyt.com/images/2019/11/17/arts/17JIM-SULLIVAN1/merlin_164000646_4ed507c6-ab92-4d19-9dc2-8ee3052c4fec-articleLarge.jpg?quality=75&auto=webp&disable=upscale" srcset="https://static01.nyt.com/images/2019/11/17/arts/17JIM-SULLIVAN1/merlin_164000646_4ed507c6-ab92-4d19-9dc2-8ee3052c4fec-articleLarge.jpg?quality=90&auto=webp 600w,https://static01.nyt.com/images/2019/11/17/arts/17JIM-SULLIVAN1/merlin_164000646_4ed507c6-ab92-4d19-9dc2-8ee3052c4fec-jumbo.jpg?quality=90&auto=webp 1024w,https://static01.nyt.com/images/2019/11/17/arts/17JIM-SULLIVAN1/merlin_164000646_4ed507c6-ab92-4d19-9dc2-8ee3052c4fec-superJumbo.jpg?quality=90&auto=webp 2048w" style="cursor: pointer;" /></div>
<figcaption class="css-17ai7jg emkp2hg0" itemprop="caption description"><span aria-hidden="true" class="css-16f3y1r e13ogyst0">The
musician Jim Sullivan started a trip from California to Nashville in
1975. He was last seen in New Mexico, and his disappearance remains
unsolved.</span><span class="emkp2hg2 css-1fxp258 e1z0qqy90" itemprop="copyrightHolder"><span class="css-1ly73wi e1tej78p0">Credit...</span><span><span>Yosuke Kitazawa, via Jim Sullivan Estate</span></span></span></figcaption></figure></div>
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By <span class="css-1baulvz last-byline" itemprop="name">Rebecca Bengal</span></div>
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<li class="css-i49r68"><time class="css-129k401 e16638kd0" datetime="2019-11-14T05:00:18-05:00">Nov. 14, 2019</time></li>
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Jim
Sullivan was the kind of California character who seemed to have
stepped straight out of a Pynchon or DeLillo novel — a 6-foot-2 singer
and songwriter known as Sully with a magnetic personality and a
handlebar mustache.<strong class="css-8qgvsz ebyp5n10"> </strong>His
dramatic psych-folk songs were spacious, cinematic and edged with
mystic, lonesome brooding. His social circle included actors and
Hollywood hangers-on, and he’d had brushes with fame, including an
uncredited part in “Easy Rider” with his friend Dennis Hopper. </div>
<div class="css-exrw3m evys1bk0">
On
his 1969 debut album, “U.F.O.,” he sang of beckoning highways, of
aliens, of an Arizona ghost town, of a man who looked “so natural” in
death it was clearly his time to go. Six years later, the 35-year-old
Sullivan disappeared in Santa Rosa, N.M. On the front seat of his
recovered gray VW bug were his ID, his beloved 12-string Guild guitar,
and a box of his two albums, “U.F.O.” and the 1972 LP “Jim Sullivan.” </div>
<div class="css-exrw3m evys1bk0">
Sullivan,
a country-blues troubadour with an enigmatic story, has been compared
to Nick Drake, Richie Havens and Gram Parsons. Questions about his
vanishing still plague the small town where he was seen last, as well as
his family and a small group of loyal enthusiasts. Last month, the
record label Light in the Attic reissued his self-titled album, along
with a new collection of previously unreleased demos, titled “If Evening
Were Dawn,” that deepen Sullivan’s eerie, essential strangeness.</div>
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<figcaption class="css-1l44abu e1xdpqjp0" itemprop="caption description"><span aria-hidden="true" class="css-16f3y1r e13ogyst0">Sullivan released two albums before he disappeared: “U.F.O.” in 1969 and a self-titled record in 1972.</span><span class="css-cnj6d5 e1z0qqy90" itemprop="copyrightHolder"><span class="css-1ly73wi e1tej78p0">Credit...</span><span>via Jim Sullivan Estate</span></span></figcaption></figure></div>
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In
1975, Santa Rosa was a town dependent on tourists and used to
strangers. Before Interstate 40 arrived in the late ’60s, people pulled
off Route 66 to rest at its neon-lit motels and swim in Blue Hole, an
artesian well. “We called them drifters,” the retired newspaper reporter
Davy Delgado said in a recent interview. The Communicator, the
newspaper where he was last employed, had a circulation of about 2,000
in a city of about 2,800. “This isn’t a town where you can steal a piece
of bubble gum without everyone knowing about it,” he added.</div>
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But no one seems to know what became of Jim Sullivan. </div>
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Delgado insisted the investigation was thorough: “There was no arroyo left unturned,” he said, “and no trace of him found.” </div>
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Another
local disagreed. “I always thought there was something strange about
how that went down, why they didn’t investigate it more,” said Donald
Sena, who now lives in Mount Vernon, Texas. His father, Pete, who died
in 1993, worked on a ranch near where Sullivan’s car was discovered
abandoned, and is recorded in The Santa Rosa News as possibly the last
person to have spoken with Sullivan, asking him if he needed a ride. </div>
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“We
thought he was some cowboy,” said Sena, who’d seen Sullivan’s car
earlier that week from his school bus. “He had a handlebar mustache just
like a cattle hand we knew.”</div>
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<strong class="css-8qgvsz ebyp5n10">BORN IN NEBRASKA</strong> in 1939,
Sullivan was the seventh son in a working-class family that moved to
San Diego during World War II. He was the quarterback of the high school
football team, played in a band called the Survivors and married the
homecoming queen. Once he got deep into the guitar, that was it. </div>
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“Let
me put it diplomatically,” said his son, Chris Sullivan, 58 and an
English professor in San Diego. “The idea that he might have to be a
square and go work for someone else was probably as repulsive to him as
cutting off his hand.” Jim’s wife, Barbara Sullivan, was the family’s
breadwinner, working as a secretary at Capitol Records after the family
moved to Los Angeles. Sullivan played gigs at nights, spending his days
songwriting and listening to records by Karen Dalton, John Prine and the
folk singer John Stewart.</div>
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<figcaption class="css-1l44abu e1xdpqjp0" itemprop="caption description"><span aria-hidden="true" class="css-16f3y1r e13ogyst0">Sullivan, center, in the early 1970s with his wife, Barbara, and son, Chris.</span><span class="css-cnj6d5 e1z0qqy90" itemprop="copyrightHolder"><span class="css-1ly73wi e1tej78p0">Credit...</span><span>via Jim Sullivan Estate</span></span></figcaption></figure></div>
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Barbara’s
boss, John Rankin, tried unsuccessfully to get executives at the label
to notice Sullivan’s music. “They weren’t interested at the time and I
didn’t have any great position there,” Rankin said recently from his
home in Alaska. “But I believed in Jim.”</div>
<div class="css-exrw3m evys1bk0">
Others did too: Al Dobbs, an actor turned cue-card holder for <a class="css-1g7m0tk" href="https://www.nytimes.com/2015/09/11/arts/television/remembering-rowan-martins-laugh-in.html?module=inline" title="">“Rowan & Martin’s Laugh-In,”</a>
heard Sullivan at a Malibu nightspot called the Raft and was determined
to help him make a record. “I think a lot of us were searching, trying
to find what we could put in our minds,” Dobbs said. “I’m not sure Jim
was searching. I think Jim was trying to get what he had inside of him
out.”</div>
<div class="css-exrw3m evys1bk0">
Dobbs raised money from friends
and co-founded a tiny label, Monnie. Jimmy Bond, Earl Palmer and Don
Randi from the famed studio band the Wrecking Crew were recruited to
back Sullivan up.</div>
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“U.F.O.”
was released in 1969, the year of the moon landing, “Abbey Road” and
Woodstock. Dobbs and his cohorts didn’t have money to promote it. “We
used to joke about the number of copies it sold,” he said. </div>
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<figcaption class="css-18crmh6 e1xdpqjp0" itemprop="caption description"><span aria-hidden="true" class="css-16f3y1r e13ogyst0">The
reissue of “Jim Sullivan” arrives with a new collection of previously
unreleased demos, titled “If the Evening Were Dawn.” The “U.F.O.” LP is
at left.</span></figcaption></figure></div>
<b></b><i></i><u></u><sub></sub><sup></sup><strike></strike><br />P.http://www.blogger.com/profile/06014774026847073174noreply@blogger.com0tag:blogger.com,1999:blog-8342152624558236645.post-66781925233599329642019-11-04T05:37:00.004-08:002019-11-04T05:37:30.823-08:00Bruce HornsbyBruce Hornsby staat op 11 november in onze Grote Zaal. De naam van de
Amerikaanse zanger/toetsenist zal wel voor altijd verbonden blijven aan
The Way It Is, zijn grote hit uit de eighties die nog dagelijks op de
radio is te horen. Maar Hornsby is inmiddels vele albums en een hele
carrière verder. Zo maakte hij bluegrass, klassiek, jazz en speelde van
1990 t/m 1992 bij de legendarische hippieband The Grateful Dead. Dit
jaar verscheen zijn 21e (!) album Absolute Zero, waarop hij zich laat
inspireren door zijn favoriete auteurs Don DeLillo en David Foster
Wallace en samenwerkt met Bon Iver en The Staves. Een muzikale
alleskunner!P.http://www.blogger.com/profile/06014774026847073174noreply@blogger.com0tag:blogger.com,1999:blog-8342152624558236645.post-74716211106221778042019-11-04T05:36:00.001-08:002019-11-12T02:30:42.004-08:00Moby Grape<div class="header_style_wrapper">
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<h1>
EASY ED’S BROADSIDE: Moby Grape Is Still Afloat</h1>
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<a href="https://www.nodepression.com/author/easy-ed/">Easy Ed</a>
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Posted On October 11, 2019 </span>
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<h5 class="image-title-album">
Moby Grape / Sony Legacy Records</h5>
If you’ve followed my articles and columns at <i>No Depression</i>
through the past ten-plus years, you likely know that I have a special
place in my heart for Moby Grape. When an argument breaks out about the
genesis of Americana music, among those of us who argue about such
things, after we shout out The Dillards, Youngbloods, Lovin’ Spoonful,
Byrds, Buffalo Springfield, Flying Burrito Brothers, the two 1970
Grateful Dead albums, Townes, Gram, and whomever else I’ve just failed
to mention, it’s usually me who brings up Skip Spence, Bob Mosley, Jerry
Miller, Don Stevenson, and Peter Lewis.<br />
There has been so much written about this band and its legacy that
there’s probably no need to rehash their quick rise and fall, mental
health problems, the lawsuit that lasted for over 30 years, or the many
times they’ve reunited and reconstituted. You’re either are old enough
to know the story or young enough to know how to search for it.<br />
<br />
<br />
Perhaps one of the most unique aspects of the group was their ability
to pull together multiple elements of American roots music, including
blues, jazz, rhythm and blues, introspective folk, and country. With
three guitarists standing out front and five vocalists and songwriters,
they presented themselves as a solid and cohesive band both onstage and
in the studio. Their discography is filled with early Americana nuggets,
and the last studio album of original material, <i>Legendary Grape</i>, is now 30 years old.<br />
While Skip Spence was probably best known for his short time with
Jefferson Airplane, his struggles with schizophrenia, and his critically
acclaimed solo album, <i>Oar</i>, his career had already ended when
he passed on from lung cancer in 1999. And now, 52 years after their
self-titled debut was released, Moby Grape’s surviving members are still
active in making music as they approach their mid- to late-70s.<br />
This past summer Peter Lewis released <i>The Road to Zion</i>, his
third solo recording in over five decades. His backstory before the
Grape is probably the most interesting: He was the son of the famous
actress Loretta Young, was raised in Los Angeles, is the cousin of
master musician and Jackson Browne collaborator David Lindsey, and was
an Air Force veteran who worked as a pilot until he caught the Byrds
opening for the Stones and decided to form a band.<br />
Many of Lewis’ songs in the Grape’s catalog featured fingerstyle guitar and leaned toward country and folk, and <i>The Road to Zion</i> offers up similar fare. Some of the songs sound as if they could have been outtakes of <i>Moby Grape ’69</i> or <i>Truly Fine Citizen.</i><br />
<br />
<br />
Drummer and vocalist Don Stevenson came out of the Pacific Northwest
with guitarist Jerry Miller in a band called The Frantics. Through the
decades he’s continued to drop in and out of the various incarnations of
the band, but his main gig was as a highly successful salesman for a
resort timeshare. Several years ago he moved to Toronto to be closer to
his grandchildren, and he began a second life as a subway busker. As a
participant in the Toronto Transit Commission’s Subway Musicians
Program, he’s one of 75 musicians who fan out to stations throughout the
city. Here’s a feature story on him from a few years ago.<br />
<br />
<br />
Miller — often confused with the other Jerry Miller who has played
with Eilen Jewell’s band — is based in Tacoma, Washington, and has never
stopped performing and touring. Miller is one of the finest “white boy”
blues guitarists of the 1960s, often throwing in jazz chording and
country twang to enhance his distinctive sound. He’s participated in
every version of the Grape, including the one from a couple of years ago
with Skip Spence’s son Omar sitting in for dad and playing at SXSW.<br />
<br />
<br />
Bass player and soulful singer Bob Mosley has been a bit harder for
me to get a recent update on. He quit the band in 1969, joined the
Marines, and was discharged after several months for medical reasons. He
and Spence rejoined the other three in 1971 for <i>20 Granite Creek </i>and
played a few gigs together. Throughout the 1970s and ’80s Mosley played
off and on with the Grape, was in a band called Fine Wine, and for a
short time in 1977 he played in The Ducks with Neil Young.<br />
In 1991 the band called it quits (again), and Mosley’s deteriorating
emotional state due to paranoid schizophrenia eventually left him
homeless and living on the streets of San Diego. Peter Lewis is credited
with finding him in 1999 and moving him up to Santa Cruz to get
treatment and begin playing again. He rejoined a new version of the
Grape and did weekly gigs for years with veteran country artist Larry
Hosford, and later with Dale Ockerman of the Doobie Brothers. He
continued to write songs; his last release was an album titled <i>True Blue</i> in 2005.<br />
To add a footnote, Lewis’ daughter Arwen released a mostly acoustic
tribute to the Grape in 2015 that is worth tracking down. Closing out
this column, here’s Mosley playing with members of Buddy Holly’s
Crickets and Elvis’ backup band.<br />
<br />
<br />
<hr />
<i>Many of my past columns, articles, and essays can be accessed here at my own site, </i><a href="http://therealeasyed.com/"><i>therealeasyed.com</i></a><i>. I also aggregate news and videos on both </i><a href="https://flipboard.com/@edmaxin/americana-and-roots-music-daily-pq639om6y"><i>Flipboard</i></a> <i>and Facebook as </i><a href="https://www.facebook.com/therealeasyed/"><i>The Real Easy Ed: Americana and Roots Music Daily</i></a><i>. My Twitter handle is @therealeasyed and my email address is </i><a href="mailto:easyed@therealeasyed.com"><i>easyed@therealeasyed.com</i></a>P.http://www.blogger.com/profile/06014774026847073174noreply@blogger.com0tag:blogger.com,1999:blog-8342152624558236645.post-17420167650229137722019-10-28T04:53:00.001-07:002019-10-28T04:53:55.169-07:00<h1>
Paul Barrere, Guitarist and Force Behind Little Feat’s Resurrection, Dies at 71</h1>
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<img alt="Paul Barrere Paul Barrere and Little Feat perform during the Sixth Annual Jammy Awards at the Theater at Madison Square Garden in New York. This year's Jammy Awards kick off the four-day Green Apple Music and Arts Festival, which celebrates Earth DayJAMMY AWARDS, NEW YORK, USA" class="attachment-landscape-xxlarge size-landscape-xxlarge" height="563" src="https://pmcvariety.files.wordpress.com/2019/10/shutterstock_editorial_6381783j-e1572200225190.jpg?w=1000&h=563&crop=1" width="1000" /> </span>
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CREDIT: Jason Decrow/AP/Shutterstock</div>
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Paul Barrere, the singer-guitarist who was instrumental in keeping the group <a data-tag="little-feat" href="https://variety.com/t/little-feat/" id="auto-tag_little-feat">Little Feat</a> going for decades after the death of founder Lowell George, has died at 71.<br />
Barrere died from the complications of liver cancer, which he’d been
diagnosed with in 2015, following a battle with Hepatitis C that first
came to light in 1994. In early October, it was announced that he needed
to drop out of the band’s 50th anniversary tour, which was set to end
this weekend. He had vowed to improve to be able to play at their annual
festival in January.<br />
Bonnie Raitt was among those mourning his passing, tweeting, “Oh my
God. I just heard about the passing of another dear friend, Little
Feat’s Paul Barrere. A brilliant guitarist, singer and songwriter — a
cornerstone of one of the greatest bands of all time. … I’m glad he is
free of pain and may he rest in peace. … We will hold him in our hearts
and celebrate his life and music always.”<br />
<br />
Barrere was not an original member of Little Feat, but joined three
years into the group’s tenure, in 1972, in time for one of their most
enduring albums, “Dixie Chicken.” During the original run of the band,
before George died, Barrere co-wrote some of their signature songs,
including “Skin It Back,” “Feats Don’t Fail Me Now,” “Down on the Farm”
and “Time Loves A Hero.”<br />
After George died in 1979, the group disbanded, and Barrere released a
pair of solo albums, before Little Feat reformed in 1987, overcoming
fans’ suspicions about how they would go with a successful resumption
that involved occasional studio albums and regular touring.<br />
Barrere was known for his collaborations outside of Little Feat, too.
He played with Phil Lesh & Friends in that ensemble’s early days,
and in recent years frequently toured with fellow Feat member Fred
Tackett as a duo.<br />
Barrere had played with the group at the New Orleans Jazz and Heritage Festival in May.<br />
Little Feat (which at present consists of Bill Payne, Sam Clayton,
Fred Tackett, Kenny Gradney and Gabe Ford) issued a statement Saturday
night, as follows:<br />
<em>It is with great sorrow that Little Feat must announce the
passing of our brother guitarist, Paul Barrere, this morning at UCLA
Hospital. We ask for your kindest thoughts and best wishes to go out
especially to his widow Pam and children Gabriel, Genevieve and Gillian,
and to all the fans who were his extended family.</em><br />
<em>Paul auditioned for Little Feat as a bassist when it was first
being put together — in his words, “as a bassist I make an excellent
guitarist” —and three years later joined the band in his proper role on
guitar. Forty-seven years later, he was forced to miss the current
tour, which will end tomorrow, due to side effects from his ongoing
treatment for liver disease.</em><br />
<em>He promised to follow his doctor’s orders, get back in shape, and
rock on the beach at the band’s annual gathering in Jamaica in January
2020. “Until then,” he wrote, “keep your sailin’ shoes close by… if I
have my way, you’re going to need them!”</em><br />
<br />
<em><em>As the song he sang so many times put it, he was always “Willin’,”
but it was not meant to be. Paul, sail on to the next place in your
journey with our abiding love for a life always dedicated to the muse
and the music. We are grateful for the time we have shared.</em> </em><br />
P.http://www.blogger.com/profile/06014774026847073174noreply@blogger.com0tag:blogger.com,1999:blog-8342152624558236645.post-24256770010412770262019-10-12T13:31:00.002-07:002019-11-25T04:02:27.505-08:00<span style="background-color: white; color: #1d2228; display: inline; float: none; font-family: "verdana"; font-size: 12px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; text-align: center; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">/ </span><br />
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<td valign="top"><a href="http://click.mailer.mojo.nl/?qs=f9b42aab603603432fe85ffad8f1f7fca8aec3894e152ea0b2e096e7e3c08a5cc9a6c8bc6ba4ef353fed1efac3d10359" rel="nofollow" style="color: #3d5ab6; font-weight: normal; text-decoration: none;" target="_blank" title="header"><img align="left" alt="header" height="500" id="yiv6059898685headerImage" src="https://ecp.yusercontent.com/mail?url=http%3A%2F%2Fimage.mailer.mojo.nl%2Flib%2Ffe9a15707367027875%2Fm%2F13%2Fb985840f-c95c-4a7c-849a-9a73f9504fe2.jpg&t=1570912031&ymreqid=c5a2a5a3-5234-50da-1c78-78003a01d000&sig=ZVBKvSNMLWMMjbLCQTUadw--~C" style="border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; display: inline; height: auto; line-height: 100%; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; max-width: 100%; min-height: 500px; outline-color: invert; outline-style: none; outline-width: medium; text-decoration: none; text-indent: -9999px; width: 620px;" title="header" width="620" /></a></td></tr>
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<td style="padding-top: 10px;"><span style="color: white; font-family: "verdana";"><span style="background-color: black; font-size: 18px; text-transform: uppercase;"><b>NAGENIETEN VAN john mayer</b></span></span><br />
<br />
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<strong>Beste concertbezoeker,</strong><span class="yiv6059898685desktop-only" style="display: initial;"> </span></div>
<div style="color: black; display: block; line-height: 17px;">
Je hebt één of meerdere shows van John Mayer bezocht in de Ziggo Dome en we hopen dat je net zo’n mooie avond(en) gehad hebt als wij. Om nog even na te genieten hebben we wat beelden van de avond voor je en tips voor andere concerten!<br />
<br />
Bekijk de nagenieten-pagina op onze website, waar je ook een beoordeling kan geven over het/de concert(en). Wij zijn enorm benieuwd wat je ervan gevonden hebt.<br />
<br />
Tot snel!<br />
<br />
MOJO</div>
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<td><a href="http://click.mailer.mojo.nl/?qs=f9b42aab603603430e430492fdf16dde1b0b8a6fc1ff5579537fe3e4820aa8a86d6173c0ef6c52130d2c4683cb4a3b3c" rel="nofollow" style="color: #3d5ab6; font-weight: normal; text-decoration: none;" target="_blank" title=""><img align="left" id="yiv6059898685headerImage" src="https://ecp.yusercontent.com/mail?url=http%3A%2F%2Fimage.mailer.mojo.nl%2Flib%2Ffe9a15707367027875%2Fm%2F13%2F6284cb65-c351-4705-bb47-117f1df224d4.jpg&t=1570912031&ymreqid=c5a2a5a3-5234-50da-1c78-78003a01d000&sig=vMrWC2xBzMHnQukh4M9xJA--~C" style="border-bottom-color: transparent; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: transparent; border-left-style: none; border-left-width: 0px; border-right-color: transparent; border-right-style: none; border-right-width: 0px; border-top-color: transparent; border-top-style: none; border-top-width: 0px; display: inline; height: auto; line-height: 100%; max-width: 100%; outline-color: invert; outline-style: none; outline-width: medium; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: center; text-decoration: none; text-indent: -9999px; width: 100%;" width="305" /></a><span style="font-family: "arial"; font-size: 13px;"> </span></td></tr>
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<td><span style="font-family: "arial"; font-size: 13px;"><span class="yiv6059898685h3" style="color: white; font-family: "verdana"; font-size: 18px; font-style: normal; font-weight: bold; letter-spacing: normal; line-height: 100%; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 4px; padding-left: 2px; padding-right: 2px; padding-top: 4px; text-align: left; text-transform: uppercase;">AWESOME PICS</span> </span></td></tr>
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Huisfotograaf Andreas Terlaak was ook aanwezig bij de show van John Mayer en heeft een aantal toffe foto's vastgelegd.<br />
<br />
<strong><a href="http://click.mailer.mojo.nl/?qs=f9b42aab6036034392a847ce242a84d29c018da398e8a4782dfa0b35ddf4bc2ca4cbe38afb29d546173371187c11b678" rel="nofollow" style="color: #3d5ab6; font-weight: normal; text-decoration: none;" target="_blank" title="info">Bekijk de foto's</a></strong><a href="http://click.mailer.mojo.nl/?qs=f9b42aab603603430e430492fdf16dde1b0b8a6fc1ff5579537fe3e4820aa8a86d6173c0ef6c52130d2c4683cb4a3b3c" rel="nofollow" style="color: #3d5ab6; font-weight: normal; text-decoration: none;" target="_blank" title=""><img alt="info" height="14" src="https://ecp.yusercontent.com/mail?url=http%3A%2F%2Fimage.mailer.mojo.nl%2Flib%2Ffe9a15707367027875%2Fm%2F2%2Farrow.gif&t=1570912031&ymreqid=c5a2a5a3-5234-50da-1c78-78003a01d000&sig=3nz0AnDWNEORxEBHvxLDnw--~C" style="border-bottom-color: transparent; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: transparent; border-left-style: none; border-left-width: 0px; border-right-color: transparent; border-right-style: none; border-right-width: 0px; border-top-color: transparent; border-top-style: none; border-top-width: 0px; display: inline; height: auto; line-height: 13px; margin-bottom: 0px; margin-left: 15px; margin-right: 0px; margin-top: 0px; max-width: 560px; min-height: 14px; outline-color: invert; outline-style: none; outline-width: medium; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: center; text-decoration: none; text-indent: -9999px; width: 14px;" width="14" /></a><span style="font-family: "arial"; font-size: 13px;"> </span></div>
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<td><a href="http://click.mailer.mojo.nl/?qs=f9b42aab603603431409a98836e1c3dd706cbc88f74c35b96a4864d1a0538a60ea9b3c21c1c1381415d736521706110b" rel="nofollow" style="color: #3d5ab6; font-weight: normal; text-decoration: none;" target="_blank" title="video"><img align="left" id="yiv6059898685headerImage" src="https://ecp.yusercontent.com/mail?url=http%3A%2F%2Fimage.mailer.mojo.nl%2Flib%2Ffe9a15707367027875%2Fm%2F13%2Fe1e9cc6c-c81d-41a3-b585-aa3c1b011120.jpg&t=1570912031&ymreqid=c5a2a5a3-5234-50da-1c78-78003a01d000&sig=rfPvTLrpMLBG1zxq.6Q7pA--~C" style="border-bottom-color: transparent; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: transparent; border-left-style: none; border-left-width: 0px; border-right-color: transparent; border-right-style: none; border-right-width: 0px; border-top-color: transparent; border-top-style: none; border-top-width: 0px; display: inline; height: auto; line-height: 100%; max-width: 100%; outline-color: invert; outline-style: none; outline-width: medium; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: center; text-decoration: none; text-indent: -9999px; width: 100%;" width="305" /></a><span style="font-family: "arial"; font-size: 13px;"> </span></td></tr>
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<td><span style="color: white;"><span style="font-size: 18px; text-transform: uppercase;"><b>een paar vragen voor jullie</b></span></span></td></tr>
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<div class="yiv6059898685meta" style="color: black; display: block; line-height: 17px;">
Twee dagen achter elkaar stond de getalenteerde Amerikaan in Ziggo Dome. Met zijn dromerige nummers pakt de gitaarvirtuoos je helemaal in. Een aantal fans was er al op tijd bij om vooraan te staan en wij stelden hen een paar vragen.</div>
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<strong><a href="http://click.mailer.mojo.nl/?qs=f9b42aab60360343826800bc89270f1fa77d17e226d05a6c7311d4fc1fe95acdee192aa7d7140a0de6df8bf8fc7d8e8c" rel="nofollow" style="color: #3d5ab6; font-weight: normal; text-decoration: none;" target="_blank" title="Kijken! ">Kijken! </a></strong><a href="http://click.mailer.mojo.nl/?qs=f9b42aab60360343aabfda534d4138940f176b2350edf40f3872eb3964fa51a03874ee95c2d1c6858965674e5cca5d3b" rel="nofollow" style="color: #3d5ab6; font-weight: normal; text-decoration: none;" target="_blank" title=""><img alt="boek kaarten" height="14" src="https://ecp.yusercontent.com/mail?url=http%3A%2F%2Fimage.mailer.mojo.nl%2Flib%2Ffe9a15707367027875%2Fm%2F2%2Farrow.gif&t=1570912031&ymreqid=c5a2a5a3-5234-50da-1c78-78003a01d000&sig=3nz0AnDWNEORxEBHvxLDnw--~C" style="border-bottom-color: transparent; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: transparent; border-left-style: none; border-left-width: 0px; border-right-color: transparent; border-right-style: none; border-right-width: 0px; border-top-color: transparent; border-top-style: none; border-top-width: 0px; display: inline; height: auto; line-height: 100%; margin-bottom: 0px; margin-left: 15px; margin-right: 0px; margin-top: 0px; max-width: 560px; min-height: 14px; outline-color: invert; outline-style: none; outline-width: medium; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: center; text-decoration: none; text-indent: -9999px; width: 14px;" width="14" /></a></div>
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<td style="padding-top: 10px;"><span style="color: white; font-family: "verdana";"><span style="background-color: black; font-size: 18px; text-transform: uppercase;"><b>Luister de playlist This is: john mayer op spotify </b></span></span><br />
<br />
<div class="yiv6059898685meta" style="color: black; display: block; line-height: 17px;">
<span style="font-size: 11pt;"><span style="font-family: "calibri" , sans-serif;">John Mayer heeft recentelijk zijn nieuwst single uitgebracht genaamd 'Carry Me Away'. Hij heeft deze track geschreven in zijn twee weken vakantie net voor zijn tour. Zoals hij zelf zegt; <i>''My desires for vacation were simple: to live in shorts and a t-shirt and play with my dog in the sun and live a simple happy normal life, all while writing this song I had swirling around in my head''.</i></span></span><br />
<span style="font-size: 11pt;"><span style="font-family: "calibri" , sans-serif;">Beluister ''Carry Me Away'' in de This Is: John Mayer playlist op Spotify.</span></span><br />
<br />
<a href="http://click.mailer.mojo.nl/?qs=f9b42aab6036034325142469d133bbbf9c3defe4296743dd2e15393236848fc391b38695f07b6046d39ebd8cc0a4c785" rel="nofollow" style="color: #3d5ab6; font-weight: normal; text-decoration: none;" target="_blank" title="content"><img height="23" src="https://ecp.yusercontent.com/mail?url=http%3A%2F%2Fimage.mailer.mojo.nl%2Flib%2Ffe9a15707367027875%2Fm%2F11%2F18e95fe1-6c82-4503-bfc1-2be422db73a4.jpg&t=1570912031&ymreqid=c5a2a5a3-5234-50da-1c78-78003a01d000&sig=d_If225VwlZ_2WpnVE7dEg--~C" style="border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; display: inline; height: auto; line-height: 100%; max-width: 560px; outline-color: invert; outline-style: none; outline-width: medium; text-decoration: none; text-indent: -9999px;" width="77" /></a></div>
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<b></b><i></i><u></u><sub></sub><sup></sup><strike></strike><br />P.http://www.blogger.com/profile/06014774026847073174noreply@blogger.com0tag:blogger.com,1999:blog-8342152624558236645.post-32485157096322988802019-10-11T06:26:00.000-07:002019-10-11T06:26:28.448-07:00John Mayer in Ziggo op 10-10-2019<div class="posted-on">
Een ongelovelijk concert van een meester, John Mayer</div>
<div class="posted-on">
<br /></div>
<div class="posted-on">
Donderdag 10 oktober 2019 - 11:30 uur</div>
Duizenden
fans stonden in de stromende regen te wachten om de Ziggo Dome in te
komen, maar met goede reden: John Mayer gaf het publiek precies wat ze
wilden.<br />
<h2>
Say Cheese</h2>
Je moet het hem nageven: John kent
z'n zwakke punten. Aan het begin van de show vertelt hij meteen dat er
altijd awkward foto's worden gemaakt tijdens zijn show, omdat hij zo
opgaat in zijn eigen gitaarspel. De oplossing? Een paar gekke bekken
trekken zodat de fotografen hebben wat ze willen, en daarna doorpakken
met de show!<br />
<div class="article-image">
<img alt="" src="https://www.npo3fm.nl/images/2019/10/10_1b9dc8e148_48871633498_25c17f6f91_k.jpg" /></div>
<br /><div class="article-image">
<img alt="" src="https://www.npo3fm.nl/images/2019/10/10_ad43c2693f_48872066667_28591fb092_k.jpg" /></div>
<br /><div class="article-image">
<img alt="" src="https://www.npo3fm.nl/images/2019/10/10_080107d58c_48872067102_dfaa77316a_k.jpg" /></div>
<h2>
De show</h2>
De
show draait natuurlijk grotendeels om John en zijn gitaarspel: hij
wisselt om de haverklap van gitaar en elk nummer wordt instrumentaal
afgesloten. Publieksfavoriet 'Your Body Is A Wonderland' speelt hij
zelfs helemaal zonder zijn band en met een jazzy gitaarsolo.<br />
<div class="article-image">
<img alt="" src="https://www.npo3fm.nl/images/2019/10/10_21da9d0c5e_48872066452_e9e35696ff_k.jpg" /></div>
<br /><div class="article-image">
<img alt="" src="https://www.npo3fm.nl/images/2019/10/10_b1eed2907f_48871342158_8398522bb2_k.jpg" /></div>
John
Mayer is echt geen doorsnee singer-songwriter, de show is erg
instrumentaal en muzikaal ingestoken. Never a dull moment! En als 'ie er
dan ook nog een mooi encore met 'Gravity' en 'New Light' achteraan
plakt, is de avond compleet. Vanavond ronde twee!<br />
<div class="article-image">
<img alt="" src="https://www.npo3fm.nl/images/2019/10/10_e024913022_48871342588_405d07a10e_k.jpg" /></div>
<br /><div class="article-image">
<img alt="" src="https://www.npo3fm.nl/images/2019/10/10_c9958a2b1b_48871874076_9739b9514d_k.jpg" /></div>
Fotografie: Ben Houdijk<br />
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<h3 class="heading heading--dark heading--tilted content-block no-tilt has-spans">
<span>Kijk live naar 3FM</span></h3>
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</aside> P.http://www.blogger.com/profile/06014774026847073174noreply@blogger.com0tag:blogger.com,1999:blog-8342152624558236645.post-43212611543949272322019-08-20T05:19:00.001-07:002019-08-20T05:19:57.996-07:00<header class="article__header">
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Woodstock-legendes herleven 50 jaar later in TivoliVredenburg</h1>
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In het weekend van 16 en 17 augustus is het vijftig jaar
geleden dat het legendarische popfestival Woodstock plaatsvond in
Bethel, New York. Reden voor een aantal Nederlandse artiesten om onder
de naam Strange Brew een bijzonder eerbetoon te brengen aan de artiesten
die daar optraden. Dit doen ze op vrijdag 16 augustus in
TivoliVredenbug</div>
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</span>
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Van
de gelegenheidsband maken onder anderen Paul de Munnik, Ricky Koole,
Anne Soldaat (Daryll-Ann) en Pablo van der Poel (DeWolff) deel
uit. Tijdens de theatershow <i>Woodstock: One Night of Peace and Music </i>vertellen
zij verhalen over het festival en de hippiebeweging en spelen zij
liedjes van onder meer The Who, Jefferson Airplane, Joe Cocker, Jimi
Hendrix en Janis Joplin. .
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De kaartverkoop voor de voorstelling in <a href="https://www.tivolivredenburg.nl/agenda/woodstock-one-night-of-peace-and-music-16-08-2019/">TivoliVredenburg</a> is inmiddels gestart. De show wordt een dag later ook nog opgevoerd in het Amsterdamse Concertgebouw. </div>
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P.http://www.blogger.com/profile/06014774026847073174noreply@blogger.com0tag:blogger.com,1999:blog-8342152624558236645.post-83114470422936928902019-08-20T02:46:00.000-07:002019-08-20T02:46:05.162-07:00 Event Moby Grape CANCELED Moby Grape The legendary rock band Moby Grape reunites a very rare historic concert Sat. Sept. 7 at 8:30pm $20 adv./$20 door DANCE AGES 21 + Moby Grape is an American rock group that originated in the 1960s, known for having all five members contribute to singing and songwriting, which collectively merged elements of folk, blues, country, and jazz. They were one of the few groups of which all members were lead vocalists. They are a major part of the original San Francisco Sound and Summer of Love, and pioneers of psychedelic rock music. Moby Grape is the 1967 self-titled debut album by Moby Grape. Coming from the San Francisco scene, their reputation quickly grew to immense proportions, leading to a bidding war and a contract with Columbia Records. The album peaked at #24 on Billboard albums chart in September 1967. Moby Grape 2019 are Jerry Miller, Peter Lewis, Omar Spence (son of Skip Spence), John (Fuzzy) Oxendine and Tiran Porter (of the Doobie Brothers). Jerry Miller is #68 on Rolling Stone's list of 'The 100 greatest guitarists of all time'! The Grateful Dead and Led Zeppelin are two of several famous bands that have covered Jerry Miller songs, live and on record. Jerry Miller and Don Stevenson's "8:05" became a Country Rock standard and was covered by Robert Plant. Peter Lewis is one of the founding members of the band Moby Grape. Three of his better-known songs with Moby Grape are "Fall on You"; "Sitting by the Window" and "If You Can't Learn From My Mistakes". Omar Spence, who is Skip's son, is a guitarist and vocalist. Bob Mosely, the bassist and bluesy vocalist in Moby Grape, has retired. Drummer 'Fuzzy' John Oxendine played with The Sons of Champlin and The Rhythm Dukes. He has historically preformed with Moby Grape since the 1960s. Tiran Porter was a 14-year veteran bassist and vocalist with The Doobie Brothers. Artist sites and sounds: https://en.wikipedia.org/wiki/Moby_Grape ALL SALES ARE FINAL, NO REFUNDS OR EXCHANGES, ALL SALES WILL CALL Canncelled <table border="0" cellpadding="0" cellspacing="0" style="-webkit-text-stroke-width: 0px; color: #333333; font-family: Arial,Helvetica,Sans-serif; font-size: 12px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; width: 100%px; word-spacing: 0px;"><tbody>
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Event</h1>
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Moby Grape </div>
CANCELED <br /><br />Moby Grape <br /><br />The legendary rock band Moby Grape reunites a very rare historic concert<br /><br />Sat. Sept. 7 at 8:30pm $20 adv./$20 door DANCE AGES 21 +<br /><br />Moby Grape is an American rock group that originated in the 1960s, known for having all five members contribute to singing and songwriting, which collectively merged elements of folk, blues, country, and jazz. They were one of the few groups of which all members were lead vocalists. They are a major part of the original San Francisco Sound and Summer of Love, and pioneers of psychedelic rock music. Moby Grape is the 1967 self-titled debut album by Moby Grape. Coming from the San Francisco scene, their reputation quickly grew to immense proportions, leading to a bidding war and a contract with Columbia Records. The album peaked at #24 on Billboard albums chart in September 1967. Moby Grape 2019 are Jerry Miller, Peter Lewis, Omar Spence (son of Skip Spence), John (Fuzzy) Oxendine and Tiran Porter (of the Doobie Brothers). Jerry Miller is #68 on Rolling Stone's list of 'The 100 greatest guitarists of all time'! The Grateful Dead and Led Zeppelin are two of several famous bands that have covered Jerry Miller songs, live and on record. Jerry Miller and Don Stevenson's "8:05" became a Country Rock standard and was covered by Robert Plant. Peter Lewis is one of the founding members of the band Moby Grape. Three of his better-known songs with Moby Grape are "Fall on You"; "Sitting by the Window" and "If You Can't Learn From My Mistakes". Omar Spence, who is Skip's son, is a guitarist and vocalist. Bob Mosely, the bassist and bluesy vocalist in Moby Grape, has retired. Drummer 'Fuzzy' John Oxendine played with The Sons of Champlin and The Rhythm Dukes. He has historically preformed with Moby Grape since the 1960s. Tiran Porter was a 14-year veteran bassist and vocalist with The Doobie Brothers. <br /><br />Artist sites and sounds: https://en.wikipedia.org/wiki/Moby_Grape <br /><br />ALL SALES ARE FINAL, NO REFUNDS OR EXCHANGES, ALL SALES WILL CALL
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P.http://www.blogger.com/profile/06014774026847073174noreply@blogger.com0tag:blogger.com,1999:blog-8342152624558236645.post-70877398833102208412019-06-30T12:55:00.002-07:002019-06-30T12:55:44.258-07:00Mavis Staples blijft een wonder van daadkracht en compassie<div class="article-header-container intro-inner">
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Mavis Staples blijft een wonder van daadkracht en compassie</h1>
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De bijna tachtigjarige soulzangeres hoeft maar “yeah” te roepen en haar bezieling openbaart zich in alle gruizige diepte.</div>
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<span class="caption-text article__featured-image__caption__text">Soullegende <strong>Mavis Staples</strong></span>
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<span class="keyword">Soul</span> <strong>Mavis Staples</strong>. Gehoord: 27/6 Carré, Amsterdam. <br />
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28 juni 2019
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Grote klappen kreeg ze te verduren. In 2000 overleed haar vader
Roebuck ‘Pops’ Staples, de drijvende kracht van familiegroep The Staple
Singers. In 2013 verloor ze haar zuster Cleotha, vorig jaar gevolgd door
haar steun en toeverlaat, zus Yvonne. Nu ze de tachtig nadert is het
dapper hoe blijmoedig en strijdvaardig Mavis Staples op het podium
staat, met een stem die nog bijna niets aan soul- en gospelvuur heeft
ingeboet.<br />
„I’ve got help from all the people who love me,” richtte ze zich donderdag tot het publiek in Carré. Sinds het album <em><a href="https://open.spotify.com/album/5o5TBMTI6OUnM6aDSWOFxV?si=ZYdudVWlRSO_WneLEq7Zdg">You Are Not Alone</a></em>
(2010) nam haar solocarrière een nieuwe vlucht, met hulp van jongere
songschrijvers als Jeff Tweedy van Wilco. Ben Harper schreef en
produceerde het recente <em><a href="https://www.youtube.com/watch?v=Z4Ks9w3PNxM">We Get By</a></em>
waarop Staples de wereld weer net zo kritisch beschouwt als in de tijd
dat ze met Martin Luther King marcheerde voor gelijke burgerrechten. <br />
Haar
volgzame band heeft niet meer de slagkracht van de soul die ze maakte
voor het Stax-label in de jaren zeventig. De trage shuffle van drummer
Stephen Hodges past bij de herfst van haar jaren, waarbij alle energie
gaat zitten in de zeggingskracht van haar stem. Staples hoeft maar
‘Yeah!’ te roepen en haar bezieling openbaart zich in alle gruizige
diepte. Al op haar dertiende was ze de bariton van de familiegroep. Nu
laat ze met Buffalo Springfields ‘For What It’s Worth’ horen dat
protestmuziek van alle tijden is.<br />
‘Respect Yourself’ van The
Staple Singers blijft haar lijflied, al klonk het staccato van het
origineel nu wat berustender. Tweedy’s ‘You Are Not Alone’ werd een
wonder van compassie en ingehouden daadkracht. <br />
Met ‘<a href="https://www.youtube.com/watch?time_continue=80&v=Z7m-kbPOrl8">No Time For Crying</a>’
hekelde ze het Amerikaanse immigratiebeleid om kinderen van hun moeders
te scheiden. „We got work do do” liet ze het publiek zingen, lang nadat
ze zelf van het podium was verdwenen.<br />
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</section></footer>P.http://www.blogger.com/profile/06014774026847073174noreply@blogger.com0tag:blogger.com,1999:blog-8342152624558236645.post-59223624916354994002019-06-30T12:53:00.000-07:002019-06-30T12:53:39.442-07:00Moby Grape Peter Lewis<div class="contenu" id="principal" style="-webkit-text-stroke-width: 0px; color: black; font-family: "Trebuchet MS",Tahoma,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">
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Moby Grape - Interview with Peter Lewis - part 1</h1>
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<img alt="" height="456" src="http://craigmorrison.com/IMG/jpg/Moby_Grape_-_promo_1.jpg" width="500" /></span><br class="autobr" />
Moby Grape promo shot (from left) <br /><img alt="-" class="puce" height="11" src="http://craigmorrison.com/puce.gif" width="8" /> Skip Spence<br /><img alt="-" class="puce" height="11" src="http://craigmorrison.com/puce.gif" width="8" /> Jerry Miller<br /><img alt="-" class="puce" height="11" src="http://craigmorrison.com/puce.gif" width="8" /> Peter Lewis<br /><img alt="-" class="puce" height="11" src="http://craigmorrison.com/puce.gif" width="8" /> Don Stevenson<br /><img alt="-" class="puce" height="11" src="http://craigmorrison.com/puce.gif" width="8" /> and (in front) Bob Mosley<br />
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<img alt="" height="51" src="http://craigmorrison.com/IMG/gif/guitar_line-6.gif" width="582" /></span><span class="spip_document_169 spip_documents spip_documents_center" style="font-family: Verdana,Arial,Helvetica,sans-serif; font-size: 70%; margin-bottom: auto; margin-left: auto; margin-right: auto; margin-top: auto; text-align: center; width: 80%;">
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Peter Lewis of Moby Grape</h3>
interviewed at his home in California, December 10, 1996<br />
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<img alt="" height="252" src="http://craigmorrison.com/IMG/jpg/Peter_Lewis.jpg" width="525" /></span><a class="spip_out" href="http://www.stateofmindmusic.com/entry/115/Conversation-with-Peter-Lewis/page=1" rel="external" style="color: red; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-decoration: underline;">color photo source</a><br />
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The 1960s : War, Drugs, and the Music Business</h3>
Peter Lewis : In the ’60s, people were really trying to figure out what was going on. That’s important, because if somebody doesn’t get a better take on it, what you remember is just the sex, drugs and rock and roll. That’s not all it was. That was our lives. The idea that somehow there was a misconception about what was really going on in the world put everybody in the position that the ’60s had to occur. In the early ‘60s and the Vietnam War, it was all leaking out whatever might have been true. You’ve got all this bullshit happening. It was all too simple : “either you’re a coward or…” So you are dealing with the idea there’s either good or bad : the voice of reason. Which in the ’60s became the spirit of conflict.<br />
The real question is : what kind of world do you want to live in ? Is that all we have ? In the beginning of the ’60s, people were being forced to answer these questions, not that they were able to understand them or were able to isolate them. It was like groping in the dark. In the end people were blaming drugs for all the problems that happened and that’s not fair. They opened Pandora’s Box, but what was there was there. People now are starting to remember a lot of stuff they remembered when they were stoned on acid in the ’60s. I won’t say speed, ’cause those things are non productive excursions into the ego, an attempt to get an edge on a situation.<br />
Part of the ’60s music was valid because it focused people on the process and not the product. Everybody was trying to write a great song, trying to outdo Dylan. That definitely isn’t even what Dylan was talking about. But we all do it, because we want to prove whatever we’re doing this for. “Wow, I really like that song, that was great !” “Oh, thank-you.”<br />
Craig Morrison : But there is the expression part of it too, you want to express yourself.<br />
PL : Yeah, you do, but some part of what drives you is just wanting to be adored. A part of me is like that.<br />
CM : Anybody who gets up on stage has to deal with that, whether they are courting it or have to fight against it, but you stand yourself on stage and the audience is there : I like it, I don’t like it. You put yourself in the firing line.<br />
PL : I don’t like that about myself and yet I do it. I can see that in me, to write a song that maybe would be as good a song somebody else wrote. I don’t think that is very cool, but it’s there. It’s there in rock and roll because of the selective nature of the business that chooses one person over another. It’s not so much like painting, where if you’re a good painter, they say, “Well, that guy’s good.” It’s more like, are you beautiful too, are you 21 ? What are the criteria for getting a major record deal ? It’s not just being a great songwriter. But somehow you’re always competing with the people that do get a record deal, because those are the people that you hear, and you say "maybe I could write a song as good as that." That’s the way you deal with the situation. It’s not really artistic and it’s probably not even successful but it’s there to confuse you if you want to be confused or you are confusable.<br />
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Moby Grape : Disappointment and Arrogance</h3>
CM : I remember when I heard the first Moby Grape album, right when it came out [in 1967]. I loved it immediately. It was full of great songs, like “8:05” and your “Sitting By the Window.” Those songs were as good or better than anything else out, and I was waiting for them to come on the radio. When they didn’t become hits [only “Omaha” made the charts and was only a minor hit], that soured me on music business. I thought, what kept that from going high ?<br />
PL : What kept it from happening was Moby Grape. We were maniacs. At least in retrospect I could see we should have done it a different way. I was raised in Hollywood so I know that it’s not cool to put your cigarette out on [Columbia records president] Clive Davis’s rug. We just thought we were so good, that we could do what we wanted to.<br />
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Meeting Bob Mosley</h3>
Part of that came from having Bob in the band, who was somebody that everybody wanted to play with because he was the quintessential rock musician. He was a good-looking guy, he could sing like Otis Redding, and play better bass than anybody.<br />
CM : He was such a powerhouse.<br />
PL : Yeah. First time I heard him, I didn’t know how to respond to that, because he just gets in your face and does it.<br />
I heard about him first from a guy that he had played with : Joel Scott Hill, who had a trio. It was Hill, Bob Mosley and Johnny Barbata, who finally got in the Airplane from the Turtles, a great drummer.<br />
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<img alt="" height="384" src="http://craigmorrison.com/IMG/jpg/Joel_Scott_Hill_Trio_-resize.jpg" width="480" /></span><i>photo : Joel Scott Hill Trio : Bob Mosley (bass), Johnny Barbata (drums), Joel Scott Hill (guitar), at a branch of the Whiskey A Go Go in Sunnyvale, California, summer 1965</i><br class="autobr" />
<a class="spip_out" href="http://rockprosopography101.blogspot.ca/2010/01/whisky-go-go-sunnyvale-ca-summer-1965.html" rel="external" style="color: red; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-decoration: underline;">photo source</a><br />
When they were in Sacramento, they jammed with [organist and vocalist] Lee Michaels, and Joel wanted Lee to join the band, but Bob didn’t want him to because it would have meant splitting the money more ways and it was hard to make enough money in those days to get by. So Bob quit.<br />
I met Joel, because I had been playing with my band, Peter and the Wolves, at Gazzarri’s in LA. One Sunday, Lee Michaels and Johnny Barbata came in there. I had this folk rock band, and Pat and Lolly Vegas [who later formed Redbone] were the soul band. It was weird, because when Johnny and Lee came in, they had long hair, and I thought, wow, that’s strange to see a guy with long hair in the place. Bill Gazzarri was trying to attract some of the business from The Trip or The Whiskey that were all hippie things. Gazzarri’s was more of a laundry for Mob money or something ; I don’t know what it was. He made money there, but he catered to a different clientele, more like a throw-back club, but he was trying to do this other thing, so that’s why he hired me. Johnny and Lee came in, and I guess at some point Joel was sick, and I sat in and did a set with them where they were playing, at the Action Club down in Santa Monica. When Joel got back, I met him at a point when I was just beginning to write songs and I wanted to get in a band with other songwriters, or people that could do original music. Joel and I and this drummer that was in Peter and the Wolves that went with Joel Scott Hill at some point ; he was going to be in the band, and we needed a bass player. Joel said, “I know this guy Bob Mosley who’s really good but he’s crazy.” I said, “Great, man, crazy’s happening !”<br />
So he called Bob and I went out to pick him up at the airport. I remember Bob sitting at the bar with a goatee, completely unhip for those days, with his hair combed back and cut real short, kind of a military guy, with white Bermuda shorts, a tennis shirt and sneakers, drinking beer with his bass leaning up against the bar. I could sense his vibe, a vibe of “don’t talk to me, and don’t fuck with me or I’ll kill you.” He was on the edge, intense. I had long hair and bell bottoms and no shoes or whatever, and I guess he looked at me and I looked at him and went, “wait, wait a minute !” I said, “You’re Bob Mosley” and he just grabbed his bass and followed me. I had to take him someplace, so we got into my car, driving back to Hollywood, and he hadn’t said anything to me. Halfway to Hollywood, he says, “I can sing anything up to high C and sing like a motherfucker. What can you do ?” We got to where we were going to practice, and the first thing he did was play “Big Boss Man.”<br />
CM : The Jimmy Reed song.<br />
PL : Yeah, but the way he did it was weird, because the way he was playing bass, he had no intention of being cool or being musical. It was just a thing to smack when he was singing. And he would sing in this huge voice. I was blown away, but I didn’t know what to do with it, ’cause I was thinking, folk rock, that’s not it. That night we went to a house in the hills where Joel had some friend that got some acid, and we were all going to take acid and see if we could write some music. I don’t know what we thought people did to get in these bands that made original music. Joel and Bob were really good. I was more a folk rock guy, a finger picker, like [Roger] McGuinn [of the Byrds] or Zal Yanovsky [of the Lovin’ Spoonful], and they were more the blues, rhythm and blues. But that’s what Moby Grape was : a marriage of those two things.<br />
CM : Did you know about blues ?<br />
PL : Yeah, Freddie King was my idol in high school. He’s a Texas guy. I had his album, Let’s Hide Away and Dance Away with Freddy King [1961] that I got from some guy that was a guitar player in LA. <span class="spip_document_292 spip_documents spip_documents_right" style="float: right; font-family: Verdana,Arial,Helvetica,sans-serif; font-size: 70%; margin-left: 15px; text-align: center; width: 280px;">
<img alt="" height="282" src="http://craigmorrison.com/IMG/jpg/Freddy_King_LP.jpg" width="280" /></span>I use to hang around with Henry Vestine [later of Canned Heat], and another guy that died. They were the two guys my age that could really play. There weren’t very many people who could. “Wow, Freddie King, that guy was funky.” Henry was like that.<br />
Anyway, we got up to this house and Joel comes over to me and says, “Don’t take any of this, just let Bob take it and this other guy and we’ll just check ‘em out.” Joel was a real manipulator. He was trying to see where he could [place] me. He was always vying for position, seeing who’s who in the zoo, right ? I didn’t really know anybody [there] but Joel. I knew my drummer but he was this guy that hung around, he wasn’t a force. He was sort of a good drummer. I didn’t know Bob, so I said alright and didn’t take the acid. And Joel didn’t. Bob did, and it was sad, because I saw what had been going on with him and Joel, how Joel was a lot more cunning than Bob. Bob was more of a primitive guy, you give him a spear and show him the lion and he’ll do his best. If it kills him, he’s dead. He’s simple like that, but if you put him in a situation where he has to think about games, he can’t handle that. Bob starting losing it : “God damn, Joel motherfucker.” Joel would say, “Hey, calm down, man, that’s cool.” And he’d look at me and wink. He was like sticking little needles in to weaken him so he can get him at the end. Bob became confused. He hadn’t really heard the Byrds or anything. He was in this bubble of his own musical thing, the way he feels. He would express himself because he’s the kind of guy that will always come out swinging if you get him in a corner and that’s simple for him, and that’s the trouble with him in the music business.<br />
You have to see it coming a little better than that. It’s more of a way of manipulating awareness, of what people think of you. It’s not just being “yourself” which is what they think, but if you give them the wrong idea, then it’s kind of like shooting yourself in the foot. Then you’ll be able to be manipulated, which is what show business is all about. That’s really what you’re getting paid for.<br />
To put it in perspective, so you don’t become somebody weird or sidestep, it’s more of a spiritual Kung-fu trip. You don’t have to move too far out of the way, just move a little bit if you keep looking at what’s going on. You have to do that. I knew that because my mom was able to and that’s how she survived in the motion picture business. So I had that to remember. But in Moby Grape it was almost impossible. I was in there with guys that were, in a sense, over my head as musicians, except for Skip. Don [Stevenson] wasn’t either, but Bob and Jerry [Miller]—he’s a great guitar player—were on this level. Musicians have a pecking order and they know exactly where you’re at. They know what they can use you for, if you’re cute or whatever.<br />
Anyway, at some point in the night, the sun starting coming up and I started playing finger picking guitar. I saw Bob listening to it and he started playing his bass and he wrote the “Bitter Wind.” It was really cool. For the first time maybe he was able to get outside himself a little bit. When I heard that, I thought, wow, this is the next step, like the Byrds music with this soul thing.<br />
The tree of Life<br />
Is a burdensome thing<br />
To those who live a lie.<br />
A man without love<br />
Is no man at all<br />
But a cold bitter wind<br />
Passing by.<br />
lyrics from "Bitter Wind" on <a class="spip_out" href="http://www.crazyuncle.us/bobmosley/index.htm" rel="external" style="color: red; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-decoration: underline;">Bob Mosley’s website</a><br />
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Folk, Rock, Pop</h3>
It’s the marriage of those two things that have always been polarized. That hadn’t really happened before. Folk musicians would get electric guitars. The Beatles were not like that, they were more like the band I had in high school, the Cornells. <span class="spip_document_290 spip_documents spip_documents_right" style="float: right; font-family: Verdana,Arial,Helvetica,sans-serif; font-size: 70%; margin-left: 15px; text-align: center; width: 280px;">
<img alt="" height="280" src="http://craigmorrison.com/IMG/jpg/Cornells.jpg" width="280" /></span> You’d learn “Till There Was You” or whatever you learned to get the job at the dance. They got a job playing it in Hamburg, where it was more rock and roll, but they had already learned that other music so it really helped them. When they were writing songs, they were a lot more interesting. That’s what Moby Grape was like too. We were more schooled like that.<br />
In the late ’50s, to get gigs, you had to be able to play standards. That’s where you learned how chords move, fitting a melody together with chords. Some of what was happening [in rock] before the Beatles was real insipid, like “Sugar Shack” [a #1 hit in 1963 for Jimmy Gilmer and the Fireballs] It wasn’t very interesting.<br />
CM : What were some of the standards you learned ?<br />
PL : “Misty” or “Blue Moon,” but you wouldn’t use them all the time. The Beatles were more like that than, let’s say, the Byrds, but Byrds knew that too. Somehow they were able to choose the right chords to be able to sell the particular melody or whatever it is, ’cause sometimes that’s all it takes. You play a 9 or a 7th [chord] or something.<br />
CM : It comes from that other knowledge.<br />
PL : Right. How to use it in a way that’s not contrived. The Beatles slipped into that and I think we did too, as a group. We’d get together and I’d help Jerry, or he’d help me do stuff that’s not too outside, that people will remember in some way, because they’ve heard it before, not in the same context, but the same idea.<br />
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Formation of Moby Grape</h3>
Joel drifted out of the scene because the drummer had met Matthew Katz [the future manager of Moby Grape]. Joel didn’t like him. Katz wanted us to go to San Francisco to meet Skip [Spence] and so we went with him. About two weeks after that we got Don and Jerry, and that was the band.<br />
CM : They were from The Frantics [a Seattle band]. It came together very quickly.<br />
PL : We knew we had it. When we jammed together we thought, “We can kick anybody’s ass now.” Then we went about doing it in a way that was not very cool. That’s what I began talking about - you were saying why wasn’t it a hit, and I think the reason was because in the beginning you think you’re so fucking cool you can do what you want and nobody can get on your case, like an immature kid that doesn’t want to make his bed. That’s what we were.<br />
We’d all been abused to some degree. We had a lot of similar experiences growing up. It was tough for me even though my mom was a movie star [Loretta Young]. <span class="spip_document_303 spip_documents spip_documents_left" style="float: left; font-family: Verdana,Arial,Helvetica,sans-serif; font-size: 70%; margin-right: 15px; text-align: center; width: 388px;">
<img alt="" height="464" src="http://craigmorrison.com/IMG/jpg/loretta-young-07.jpg" width="388" /></span>When my parents got a divorce, my dad took my brother and me. I developed a school phobia and my dad didn’t know what to do with me. He turned me over to this behavioral psychologist that put me in a mental ward until I promised to go to school. I had these weird early upheavals that had the effect of shredding my preconceptions about what life was, who I thought my dad was or my mom, that they would do that to me. If you sit and talk to Bob, he’ll tell you things that happened to him when he was a kid that are uncool. There was this thing that he got that was unfair, and he still bears it. You can’t judge him for being the way he is now, because he is irrational. He’s been diagnosed as schizophrenic. I’m not sure if I believe all that. I don’t know anybody else who has his ability, his talent. It’s a mystery to me even today, to think of how we came across each other.<br />
<a class="spip_in" href="http://craigmorrison.com/spip.php?article66" style="color: red; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-decoration: underline;">see part 2</a><br />
<a class="spip_in" href="http://craigmorrison.com/spip.php?article67" style="color: red; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-decoration: underline;">see part 3</a><br />
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<a class="spip_mail" href="mailto:craig@craigmorrison.com" style="color: #ffce00; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-decoration: underline;">comments or questions ? email me</a><br />
I have posted interviews with members of the Doors, Electric Prunes, Iron Butterfly, Jefferson Airplane, Moby Grape, Music Machine, Quickislver Messenger Service, and Strawbery Alarm Clock. To go to the index page, click <a class="spip_in" href="http://craigmorrison.com/spip.php?rubrique22" style="color: red; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-decoration: underline;">here</a>.<br />
<i>you may be interested to read <strong>Psychedelic Music in San Francisco : Style, Context, and Evolution</strong> by Craig Morrison, <a class="spip_out" href="http://www.lulu.com/ca/en/shop/craig-morrison/psychedelic-music-in-san-francisco-style-context-and-evolution/ebook/product-17417061.html" rel="external" style="color: red; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-decoration: underline;">available as a download from lulu.com</a> for less than $5 </i></div>
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See also:</h3>
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<ul>
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<a class="spip_out" href="http://craigmorrison.com/spip.php?article62" style="color: red; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-decoration: underline;">The Jefferson Airplane - interviews with Marty Balin, Paul Kantner, and Jack Casady</a>
</li>
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<a class="spip_out" href="http://craigmorrison.com/spip.php?article63" style="color: red; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-decoration: underline;">Concert Review - Jefferson Airplane Reunion 1989</a>
</li>
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<a class="spip_out" href="http://craigmorrison.com/spip.php?article64" style="color: red; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-decoration: underline;">Quicksilver Messenger Service - interview with Gary Duncan</a>
</li>
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<a class="spip_out" href="http://craigmorrison.com/spip.php?article66" style="color: red; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-decoration: underline;" title="Moby Grape and Moby Dick ; On Buffalo Springfield ; Moby Grape Reunion">Moby Grape - Interview with Peter Lewis - part 2</a>
</li>
<li class="menu-item">
<a class="spip_out" href="http://craigmorrison.com/spip.php?article67" style="color: red; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-decoration: underline;" title="Getting Inside the Song ; New solo album, artwork, Michael Clarke, drummers ; The Lovin' Spoonful">Moby Grape - Interview with Peter Lewis - part 3</a>
</li>
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<a class="spip_out" href="http://craigmorrison.com/spip.php?article70" style="color: red; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-decoration: underline;" title="the music and meaning of "In-A-Gadda-Da-Vida", being back on the road">Iron Butterfly - interview with bassist Lee Dorman</a>
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<a class="spip_out" href="http://craigmorrison.com/spip.php?article71" style="color: red; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-decoration: underline;">The Doors - interview with keyboardist Ray Manzarek</a></li>
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P.http://www.blogger.com/profile/06014774026847073174noreply@blogger.com0tag:blogger.com,1999:blog-8342152624558236645.post-34501915812675523912019-02-07T09:08:00.000-08:002019-02-07T09:08:51.132-08:00Death Cab For Cutie komt dichtbij in TivoliVredenburg<div class="x-container header-image-div" style="-webkit-text-stroke-width: 0px; background-color: transparent; box-sizing: border-box; clear: none; color: #111111; display: block; float: left; font-family: "Open Sans",sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; height: 635.09px; letter-spacing: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; max-width: 953.6px; min-width: 0px; orphans: 2; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; position: relative; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; width: 953.6px; word-spacing: 0px; z-index: 1;">
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concert</h6>
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Death Cab For Cutie komt dichtbij in TivoliVredenburg</h3>
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Door: <a href="https://oor.nl/author/reinier-van-der-zouw" style="box-sizing: border-box; color: #222222; text-decoration: none;">Reinier van der Zouw</a></h6>
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6 februari 2019</h6>
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<span class="s1" style="box-sizing: border-box;">Het is altijd al een opmerkelijk contrast geweest: de platen van Death Cab For Cutie willen nog wel eens verzanden in saaiheid, maar op het podium heeft de band juist de neiging in een moordend tempo door de setlist te gaan. Daardoor kon je als toeschouwer nog wel eens vergeten te genieten, <a href="https://oor.nl/concerten/eindelijk_die_sterke_clubshow_van_death_cab_for_cutie/" rel="noopener" style="border-bottom-color: rgb(102, 102, 102); border-bottom-style: dotted; border-bottom-width: 1px; box-sizing: border-box; color: #222222; text-decoration: none;" target="_blank">zo constateerden we een dikke drie jaar geleden al</a>, toen de band ook in TivoliVredenburg optrad. Vandaag zijn Ben Gibbard en zijn mannen terug in Utrecht, ditmaal in een niet uitverkochte, maar wel goed gevulde Grote Zaal.</span></div>
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<img alt="" class="aligncenter size-full wp-image-813853" height="1067" src="https://oor.nl/media/2019/02/JdH-20190205-Death-Cab-for-Cutie-058_Foto-Jelmer-de-Haas.jpg" style="border-bottom-color: rgb(17, 17, 17); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(17, 17, 17); border-left-style: none; border-left-width: 0px; border-right-color: rgb(17, 17, 17); border-right-style: none; border-right-width: 0px; border-top-color: rgb(17, 17, 17); border-top-style: none; border-top-width: 0px; box-sizing: border-box; display: block; height: 426.8px; margin-bottom: 20.96px; margin-left: 0px; margin-right: 0px; margin-top: 0px; max-width: 640px; vertical-align: middle;" width="1600" /></div>
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<span class="s1" style="box-sizing: border-box;">Aan de opzet van de show is niets veranderd, de band raast in ruim anderhalf uur door maar liefst 24 nummers. Toch is er een belangrijk verschil ten opzichte van vorige jaren; het vorig jaar verschenen <i style="box-sizing: border-box;">Thank You For Today </i>is de sterkste Death Cab For Cutie-plaat in jaren. Met als gevolg dat de band dus ook een uniform sterke setlist voor ons in petto heeft. Van het vermoeiende elektronische uitstapje <i style="box-sizing: border-box;">Codes And Keys </i>en het nikserige <i style="box-sizing: border-box;">Kintsugi </i>komt gelukkig maar een handjevol nummers voorbij. Het zwaartepunt ligt waar het hoort te liggen; bij prima nieuwe nummers als <i style="box-sizing: border-box;">I Dreamt We Spoke Again </i>en <i style="box-sizing: border-box;">Gold Rush </i>en natuurlijk nummers van het illustere drietal aan platen dat de band tussen 2003 en 2008 uitbracht.</span></div>
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<img alt="" class="aligncenter size-full wp-image-813855" height="1067" src="https://oor.nl/media/2019/02/JdH-20190205-Death-Cab-for-Cutie-204_Foto-Jelmer-de-Haas.jpg" style="border-bottom-color: rgb(17, 17, 17); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(17, 17, 17); border-left-style: none; border-left-width: 0px; border-right-color: rgb(17, 17, 17); border-right-style: none; border-right-width: 0px; border-top-color: rgb(17, 17, 17); border-top-style: none; border-top-width: 0px; box-sizing: border-box; display: block; height: 426.8px; margin-bottom: 20.96px; margin-left: 0px; margin-right: 0px; margin-top: 0px; max-width: 640px; vertical-align: middle;" width="1600" /></div>
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<span class="s1" style="box-sizing: border-box;">Boven alles zien we vanavond een onvermoeibare band op het podium. De tour rond <i style="box-sizing: border-box;">Thank You For Today </i>is inmiddels al bijna een half jaar onderweg, maar dat is de heren niet af te zien. Gibbard zoekt voluit contact met het publiek, staat dermate woest met zijn hoofd te schudden dat zelfs tijdens de rustpunten zijn haar vaker wel dan niet voor zijn ogen hangt en maakt continu grapjes met gitarist Dave Depper. Zo omschrijven ze het interieur van de zaal als een kruising tussen het parlement en het <i style="box-sizing: border-box;">Thunderdome </i>uit de derde Mad Max-film. Gelukkig zorgt de soms wat schijtlollige sfeer op het podium er niet voor dat de nummers hun emotionele impact missen. Integendeel, als Gibbard na een half uurtje aan stevig voortjakkerende gitaarmuziek voor het eerst achter de piano springt voor een als vanouds hartverscheurend <i style="box-sizing: border-box;">What Sarah Said </i>is al het kippenvel wat in de zaal ontstaat haast voelbaar.</span></div>
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<img alt="" class="aligncenter size-full wp-image-813856" height="1067" src="https://oor.nl/media/2019/02/JdH-20190205-Death-Cab-for-Cutie-231_Foto-Jelmer-de-Haas.jpg" style="border-bottom-color: rgb(17, 17, 17); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(17, 17, 17); border-left-style: none; border-left-width: 0px; border-right-color: rgb(17, 17, 17); border-right-style: none; border-right-width: 0px; border-top-color: rgb(17, 17, 17); border-top-style: none; border-top-width: 0px; box-sizing: border-box; display: block; height: 426.8px; margin-bottom: 20.96px; margin-left: 0px; margin-right: 0px; margin-top: 0px; max-width: 640px; vertical-align: middle;" width="1600" /></div>
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<span class="s1" style="box-sizing: border-box;">Dat nummer is het begin van een rits aan emotionele hoogtepunten. Meteen daarna baant Gibbard zijn weg naar de rand van het podium. Daar komt de tekst van het fragiele <i style="box-sizing: border-box;">60 & Punk</i>, over de worsteling van het oud worden en het loslaten van het verleden (‘<i style="box-sizing: border-box;">there’s nothing righteous about being 60 and a punk;)</i>, haast ongemakkelijk dichtbij. Opnieuw kan je een kleine vier minuten lang een speld horen vallen. Als vervolgens de herkenbare eerste tonen van de acht minuten durende Death Cab-klassieker <i style="box-sizing: border-box;">I Will Possess Your Heart </i>door de zaal schallen is de extase helemaal niet meer te houden. Na zo’n weergaloos blokje aan kippenvelbommen is het natuurlijk lastig om dat niveau hoog te houden, dus ontkomt ook Death Cab For Cutie niet aan een klein dipje.</span></div>
<div style="box-sizing: border-box; margin-bottom: 21px; margin-left: 95.36px; margin-right: 114.43px; margin-top: 0px; max-width: 640px;">
<img alt="" class="aligncenter size-full wp-image-813857" height="1067" src="https://oor.nl/media/2019/02/JdH-20190205-Death-Cab-for-Cutie-030_Foto-Jelmer-de-Haas.jpg" style="border-bottom-color: rgb(17, 17, 17); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(17, 17, 17); border-left-style: none; border-left-width: 0px; border-right-color: rgb(17, 17, 17); border-right-style: none; border-right-width: 0px; border-top-color: rgb(17, 17, 17); border-top-style: none; border-top-width: 0px; box-sizing: border-box; display: block; height: 426.8px; margin-bottom: 20.96px; margin-left: 0px; margin-right: 0px; margin-top: 0px; max-width: 640px; vertical-align: middle;" width="1600" /></div>
<div class="p1" style="box-sizing: border-box; margin-bottom: 21px; margin-left: 95.36px; margin-right: 114.43px; margin-top: 0px; max-width: 640px;">
<span class="s1" style="box-sizing: border-box;">Een fijn venijnig <i style="box-sizing: border-box;">Black Sun </i>– nota bene een nummer van een van die mindere platen – en oudje <i style="box-sizing: border-box;">Expo 86 </i>zorgen weer even voor een opleving, maar in het algemeen kan de tweede helft van het concert niet tippen aan het eerste. Dat is geen enorm groot probleem, want zelfs op een wat lager pitje is wat de band hier vanavond doet zeer onderhoudend, mede dankzij het speelplezier dat nog altijd van het podium afspat. Gelukkig eindigt de reguliere set met het van succesalbum <i style="box-sizing: border-box;">Plans </i>afkomstige één-tweetje <i style="box-sizing: border-box;">Soul Meets Body</i> en <i style="box-sizing: border-box;">Marching Bands Of Manhattan</i>. Twee nummers die het dalende energie- en interesselevel weer even helemaal omhoog krikken, vooral de euforisch suizende gitaar als de titel van het eerstgenoemde nummer valt komt in deze intieme live-setting heel hard binnen. </span></div>
<div class="p2" style="box-sizing: border-box; margin-bottom: 21px; margin-left: 95.36px; margin-right: 114.43px; margin-top: 0px; max-width: 640px;">
<span class="s1" style="box-sizing: border-box;">De toegift begint daarna ietwat voorspelbaar, maar daarom niet minder fijn, met <i style="box-sizing: border-box;">I Will Follow You Into The Dark</i>. Dat de band daarna met <i style="box-sizing: border-box;">When We Drive, </i>juist een van de minst interessante <i style="box-sizing: border-box;">Thank You For Today</i>-nummers, heeft gekozen om in de spotlight te zetten is jammer, maar de wervelende slotakte maakt alles meteen goed. De twee prijsnummers van magnum opus <i style="box-sizing: border-box;">Transatlanticism </i>– <i style="box-sizing: border-box;">Tiny Vessels </i>en het titelnummer – achter elkaar, zoals het hoort, is het beste duo aan afsluiters wat je bij een Death Cab For Cutie-concert kan wensen. Twee perfecte nummers om nog één keer je ogen even dicht te doen, je vuist in de lucht te gooien en het kippenvel op de armen te voelen groeien. Vooral de climax van <i style="box-sizing: border-box;">Transatlanticism </i>komt zo hard binnen dat we Gibbards gepijnigde uitroep ‘<i style="box-sizing: border-box;">I need you so much closer’</i> eigenlijk niet kunnen beamen. Deze intieme setting was min of meer perfect. We zijn Death Cab For Cutie de volgende keer graag terug op dezelfde plaats, dan hopelijk met een even sterke nieuwe plaat onder de armen.</span></div>
<div class="p2" style="box-sizing: border-box; margin-bottom: 21px; margin-left: 95.36px; margin-right: 114.43px; margin-top: 0px; max-width: 640px;">
<span class="s1" style="box-sizing: border-box;">Fotografie: Jelmer de Haas</span></div>
<div class="p2" style="box-sizing: border-box; margin-bottom: 21px; margin-left: 95.36px; margin-right: 114.43px; margin-top: 0px; max-width: 640px;">
<span class="s1" style="box-sizing: border-box;">Gezien: 5 februari 2019, <a href="http://www.tivolivredenburg.nl/" rel="noopener" style="border-bottom-color: rgb(102, 102, 102); border-bottom-style: dotted; border-bottom-width: 1px; box-sizing: border-box; color: #222222; text-decoration: none;" target="_blank">TivoliVredenburg</a>, Utrecht</span></div>
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P.http://www.blogger.com/profile/06014774026847073174noreply@blogger.com0tag:blogger.com,1999:blog-8342152624558236645.post-78575955673409873162019-02-06T07:54:00.001-08:002019-02-06T07:54:42.931-08:00Fans onder de indruk van Shania Twain in Ziggo Dome 12 OKT 20<div class="css-71ujnh css-1u81gqx">
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<span class="css-rqh9vs"></span>Fans onder de indruk van Shania Twain in Ziggo Dome</h2>
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Pierre Oitmann</div>
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<div class="css-1l5uwde timestamp" data-component="timelabel">
12 OKT 2018</div>
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<br /></div>
<div class="css-1l5uwde timestamp" data-component="timelabel">
<strong>Na een afwezigheid van veertien jaar
keerde countrysuperster Shania Twain donderdagavond terug naar
Nederland. Het was een warm weerzien in de Ziggo Dome met de fans die
haar zo gemist hadden.</strong></div>
<div class="css-1qs30e6">
Wie de
Canadese zangeres de afgelopen jaren op de voet gevolgd heeft, weet dat
ze een eigen show had in Las Vegas, zoals zoveel sterzangeressen die
liever niet meer de wereld rondtrekken. Los daarvan trad ze eigenlijk
niet meer op. Na de release van haar vorig jaar verschenen album <em>Now </em>besloot
Twain toch maar weer op tournee te gaan. De hele trouwe fans proberen
zoveel mogelijk concerten mee te pikken. Je weet immers niet wanneer ze
weer terugkomt.</div>
<div class="css-1qs30e6">
De scheiding van haar
echtgenoot Robert John “Mutt” Lange heeft Twains carrière een
voortijdige halt toegeroepen. Iedere scheiding is uiterst emotioneel,
maar Lange was ook nog eens Twains producer en de co-auteur van al haar
wereldhits. Ze zal er aanvankelijk vast een bittere nasmaak aan
overgehouden hebben om na die intense breuk een met haar ex gepende
lovesong als ‘You’re Still The One’ te zingen.</div>
<div class="css-1qs30e6">
<strong>Autobiografisch</strong><br />
Jaren later staat Shania Twain er toch maar mooi weer, met al die
countryclassics die ze geschreven heeft met dezelfde man die ook
verantwoordelijk was voor hits van Bryan Adams, The Corrs, Def Leppard,
Heart, Huey Lewis & The News, AC/DC en nog zoveel anderen. Twain
zingt ook nieuw werk dat in lijn ligt met de liedjes van vroeger, maar
dezen hebben niet dezelfde hoge kwaliteit.</div>
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<span class="css-rqh9vs"></span>Fans onder de indruk van Shania Twain in Ziggo Dome</h2>
</div>
</div>
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<div class="css-pk4k7f">
<div class="css-1s6ga6e css-1tkzrpt">
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<img alt="Foto van 'Pierre Oitmann'" class="css-vlio9x lazyloaded" data-src="https://www.metronieuws.nl/scale/M9htjRzfAPzjt57KihSCN8xh8Y4=/36x36/smart/metronieuws.tcdn.nl%2Fstatic%2Fmetro-avatar-editor.jpg" height="30" src="https://www.metronieuws.nl/scale/M9htjRzfAPzjt57KihSCN8xh8Y4=/36x36/smart/metronieuws.tcdn.nl%2Fstatic%2Fmetro-avatar-editor.jpg" width="30" /><div class="css-1wru5am css-1nvur09" itemprop="author">
Pierre Oitmann</div>
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<div class="css-1l5uwde timestamp" data-component="timelabel">
12 OKT 2018</div>
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<div class="css-1qs30e6">
<strong>Na
een afwezigheid van veertien jaar keerde countrysuperster Shania Twain
donderdagavond terug naar Nederland. Het was een warm weerzien in de
Ziggo Dome met de fans die haar zo gemist hadden.</strong></div>
<div class="css-1qs30e6">
Wie
de Canadese zangeres de afgelopen jaren op de voet gevolgd heeft, weet
dat ze een eigen show had in Las Vegas, zoals zoveel sterzangeressen die
liever niet meer de wereld rondtrekken. Los daarvan trad ze eigenlijk
niet meer op. Na de release van haar vorig jaar verschenen album <em>Now </em>besloot
Twain toch maar weer op tournee te gaan. De hele trouwe fans proberen
zoveel mogelijk concerten mee te pikken. Je weet immers niet wanneer ze
weer terugkomt.</div>
<div class="css-1qs30e6">
De scheiding van haar
echtgenoot Robert John “Mutt” Lange heeft Twains carrière een
voortijdige halt toegeroepen. Iedere scheiding is uiterst emotioneel,
maar Lange was ook nog eens Twains producer en de co-auteur van al haar
wereldhits. Ze zal er aanvankelijk vast een bittere nasmaak aan
overgehouden hebben om na die intense breuk een met haar ex gepende
lovesong als ‘You’re Still The One’ te zingen.</div>
<div class="css-1qs30e6">
<strong>Autobiografisch</strong><br />
Jaren later staat Shania Twain er toch maar mooi weer, met al die
countryclassics die ze geschreven heeft met dezelfde man die ook
verantwoordelijk was voor hits van Bryan Adams, The Corrs, Def Leppard,
Heart, Huey Lewis & The News, AC/DC en nog zoveel anderen. Twain
zingt ook nieuw werk dat in lijn ligt met de liedjes van vroeger, maar
dezen hebben niet dezelfde hoge kwaliteit.</div>
<div class="css-1qs30e6">
<br /></div>
</div>
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<br /></div>
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P.http://www.blogger.com/profile/06014774026847073174noreply@blogger.com0tag:blogger.com,1999:blog-8342152624558236645.post-13794486243085719992018-10-17T08:51:00.000-07:002018-10-17T08:51:12.495-07:00Shania Twain verslag plus foto's http://soundz.nl/concertverslagen/408-shania-twain-verrast-in-ziggo-domeP.http://www.blogger.com/profile/06014774026847073174noreply@blogger.com0tag:blogger.com,1999:blog-8342152624558236645.post-58325097623207899142018-10-14T04:48:00.000-07:002018-10-14T04:48:36.241-07:00Lou Reedhttps://www.youtube.com/watch?v=8R6GHZ7nEzwP.http://www.blogger.com/profile/06014774026847073174noreply@blogger.com0tag:blogger.com,1999:blog-8342152624558236645.post-51925655125703019562018-10-14T04:08:00.001-07:002018-10-14T04:08:59.936-07:00Shania twain https://www.youtube.com/watch?v=8R6GHZ7nEzwP.http://www.blogger.com/profile/06014774026847073174noreply@blogger.com0tag:blogger.com,1999:blog-8342152624558236645.post-71365653945094834862018-10-12T03:04:00.002-07:002018-10-12T03:04:38.956-07:00Met The Prodigal Son maakt Ry Cooder zijn beste plaat in jaren (****)<div class="artstyle-container">
<article class="artstyle"><header class="artstyle__header" data-element-id="header"><h4 class="artstyle__labels" data-element-id="article-element-labels">
<span class="artstyle__labels__section">Recensie</span> <span>Country</span></h4>
<h1 class="artstyle__header-title" data-element-id="article-element-headertitle">
Met The Prodigal Son maakt Ry Cooder zijn beste plaat in jaren (****)</h1>
<div class="artstyle__header-subtitle" data-element-id="article-element-headersubtitle">
CD (country) - The Prodigal Son</div>
<section class="artstyle__byline" data-element-id="article-element-authors"><a class="artstyle__byline__author" href="https://www.volkskrant.nl/search?query=Gijsbert%20Kamer">Gijsbert Kamer</a><time class="artstyle__byline__datetime" datetime="2018-05-17T20:30:13+02:00"><span class="artstyle__byline__date"> 17 mei 2018</span><span class="artstyle__byline__time">, 20:30</span></time></section><figure class="artstyle__figure" data-element-id="d8f652d9-fcf0-4877-be0f-d505d733076b"><img class="artstyle__image fjs-lazy-image" data-credit="Foto RV" data-height="225" data-original="https://images3.persgroep.net/rcs/wn_WPiguHmP1MgruQR08AuZzYrc/diocontent/123532806/_fitwidth/1240?appId=93a17a8fd81db0de025c8abd1cca1279&quality=0.9" data-src="https://images2.persgroep.net/rcs/_7P0N3velnnWjYyxKnQpuGkWlxM/diocontent/123532806/_fitwidth/763?appId=93a17a8fd81db0de025c8abd1cca1279&quality=0.8" data-title="Ry Cooder" data-width="225" src="https://images2.persgroep.net/rcs/_7P0N3velnnWjYyxKnQpuGkWlxM/diocontent/123532806/_fitwidth/763?appId=93a17a8fd81db0de025c8abd1cca1279&quality=0.8" /><figcaption class="artstyle__figcaption"><cite class="artstyle__figcaption__caption">Ry Cooder</cite> <span class="artstyle__figcaption__credit">Foto RV</span></figcaption></figure></header><section class="artstyle__main" data-artstyle-marker="paywall"><div class="ad--sky" data-google-query-id="CP296trSgN4CFQSwewodDskPOw" data-id="dfp-sky1" id="dfp-sky1">
<div class="ad--title" style="color: #727272; font-family: sans-serif; font-size: 0.6em; left: 0; margin: 0px auto; position: absolute; text-align: center; top: 0; width: 100%;">
advertentie</div>
</div>
<div class="artstyle__container">
<div class="artstyle__container__icon">
<svg viewbox="0 0 25 26" xmlns="http://www.w3.org/2000/svg"><path d="M25 12.754c0 6.903-5.596 12.5-12.5 12.5S0 19.657 0 12.754 5.596.254 12.5.254 25 5.851 25 12.754zM14.761 17.55l-.475-.366c-.172.259-.517.863-.97.863-.26 0-.389-.13-.389-.497 0-.237.086-.755.367-2.308l.582-3.258c.087-.54.324-1.791.324-2.417 0-.712-.194-1.813-1.92-1.813-1.877 0-2.913 1.878-3.28 2.568l.475.388c.15-.258.518-.863.95-.863.258 0 .41.13.41.475 0 .237-.066.734-.368 2.33l-.625 3.259c-.108.539-.303 1.79-.303 2.416 0 .712.216 1.813 1.942 1.813 1.856 0 2.892-1.878 3.28-2.59zM15.02 5.49C15.02 4.41 14.178 4 13.208 4c-1.015 0-1.92.496-1.92 1.618 0 1.08.82 1.49 1.812 1.49 1.014 0 1.92-.497 1.92-1.62z" fill-rule="evenodd" fill="#000"></path></svg></div>
<div class="artstyle__container__body">
<h4 class="artstyle__container__title">
The Prodigal Son</h4>
<div class="artstyle__container__text">
Door: Ry Cooder</div>
<div class="artstyle__container__text">
Fantasy/Caroline</div>
</div>
</div>
<div class="artstyle__text" data-element-id="0a5f8076-931b-453e-a36e-f566289c6edb">
In het liedje<i> Jesus And Woody</i> op <i>The Prodigal Son</i>,
zijn eerste plaat in zes jaar, laat Ry Cooder Woody Guthrie op bezoek
komen bij Jezus. ‘Neem je gitaar mee want het lijkt erop dat er oorlog
komt’, zegt Jezus. ‘So sing me a song 'bout this land is your land’.
Cooder bezingt de ontmoeting fraai onderkoeld, alleen begeleid door zijn
snerpende gitaar..
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
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. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .</div>
<div class="artstyle__text" data-element-id="eb7a0cff-3cef-4133-98a6-280901f36385">
<i>Jesus And Woody</i> is een van de mooiste liedjes op <i>The Prodigal Son</i>,
waarvoor Cooder er slechts drie zelf schreef. De andere nummers zijn
van onder anderen de Stanley Brothers en Blind Willie Johnson. Oude
liedjes uit het begin van de vorige eeuw, een periode waar Cooder in de
jaren zeventig ook al rijkelijk uit putte.</div>
<div class="artstyle__text" data-element-id="62d177b2-2178-456c-8e02-a74bc5dd8efd">
De
zanger/gitarist is vaak op zijn best is als hij oude folk-, blues- en
countryliedjes afstoft en in de huidige tijd plaatst. Liedjes over de
depressiejaren klinken dankzij Cooders prachtige gitaarbegeleiding weer
actueel. Dat gold al voor zijn album <i>Into The Purple Valley</i> (1971) en het is niet anders op <i>The Prodigal Son</i>, dat zich kan meten met zijn beste werk uit de jaren zeventig.</div>
<div class="artstyle__text" data-element-id="bba7d5e3-a50e-4b49-b13a-0e6846547325">
Cooder is altijd een betere interpretator dan componist geweest, maar zijn eigen <i>Jesus And Woody</i> past uitstekend tussen de rest. Een hoogtepunt is ook Blind Willie Johnsons <i>Nobody’s Fault But Mine</i>,
dat hij met zoon Joachim op drums naar zich toetrekt. Elk liedje krijgt
een eigen gitaargeluid, en samen vormen ze een wrang commentaar op het
huidige Amerika. Een onderwerp dat in Cooders handen altijd al tot
betekenisvolle muziek heeft geleid.</div>
</section></article></div>
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<article class="artstyle"><header class="artstyle__header" data-element-id="header"><h4 class="artstyle__labels" data-element-id="article-element-labels">
<span class="artstyle__labels__section">Profiel</span> <span>Shania Twain</span></h4>
<h1 class="artstyle__header-title" data-element-id="article-element-headertitle">
Shania Twain is na veertien jaar terug in glitterjurken én met alle hits van 20 jaar geleden</h1>
<div class="artstyle__intro" data-element-id="d644-9306-168a-255b-7364-bc13-a329-27aa">
Ooit
verkocht de Queen of Country Pop miljoenen cd’s. Toen werd ze ziek,
liep haar man weg en werd het stil. Na veertien jaar is Shania Twain
terug. Iets heser, veel eerlijker. En in de Ziggo Dome.</div>
<section class="artstyle__byline" data-element-id="article-element-authors"><a class="artstyle__byline__author" href="https://www.volkskrant.nl/search?query=Menno%20Pot">Menno Pot</a><time class="artstyle__byline__datetime" datetime="2018-10-09T18:24:30+02:00"><span class="artstyle__byline__date"> 9 oktober 2018</span><span class="artstyle__byline__time">, 18:24</span></time></section></header><section class="artstyle__main" data-artstyle-marker="paywall"><div class="ad--sky" data-google-query-id="CMve5vHOgN4CFVdx4AodKqkMrA" data-id="dfp-sky1" id="dfp-sky1">
<div class="ad--title" style="color: #727272; font-family: sans-serif; font-size: 0.6em; left: 0; margin: 0px auto; position: absolute; text-align: center; top: 0; width: 100%;">
advertentie</div>
</div>
<figure class="artstyle__figure" data-element-id="e6564a4d-b67c-47a8-bf8f-14a1df51b685"><img class="artstyle__image fjs-lazy-image" data-credit="Foto Getty Images" data-height="1230" data-original="https://images2.persgroep.net/rcs/7tJyv5OrqSaRkR_DHN15guLL22I/diocontent/133823689/_fitwidth/1240?appId=93a17a8fd81db0de025c8abd1cca1279&quality=0.9" data-src="https://images3.persgroep.net/rcs/UxLFCl_8MK4EM8rI4QuWPV1um04/diocontent/133823689/_fitwidth/763?appId=93a17a8fd81db0de025c8abd1cca1279&quality=0.8" data-title="Shania Twain in 2018 tijdens een optreden in Glasgow." data-width="2349" src="https://images3.persgroep.net/rcs/UxLFCl_8MK4EM8rI4QuWPV1um04/diocontent/133823689/_fitwidth/763?appId=93a17a8fd81db0de025c8abd1cca1279&quality=0.8" /><figcaption class="artstyle__figcaption"><cite class="artstyle__figcaption__caption">Shania Twain in 2018 tijdens een optreden in Glasgow.</cite> <span class="artstyle__figcaption__credit">Foto Getty Images</span></figcaption></figure><div class="artstyle__container">
<div class="artstyle__container__icon">
<svg viewbox="0 0 25 26" xmlns="http://www.w3.org/2000/svg"><path d="M25 12.754c0 6.903-5.596 12.5-12.5 12.5S0 19.657 0 12.754 5.596.254 12.5.254 25 5.851 25 12.754zM14.761 17.55l-.475-.366c-.172.259-.517.863-.97.863-.26 0-.389-.13-.389-.497 0-.237.086-.755.367-2.308l.582-3.258c.087-.54.324-1.791.324-2.417 0-.712-.194-1.813-1.92-1.813-1.877 0-2.913 1.878-3.28 2.568l.475.388c.15-.258.518-.863.95-.863.258 0 .41.13.41.475 0 .237-.066.734-.368 2.33l-.625 3.259c-.108.539-.303 1.79-.303 2.416 0 .712.216 1.813 1.942 1.813 1.856 0 2.892-1.878 3.28-2.59zM15.02 5.49C15.02 4.41 14.178 4 13.208 4c-1.015 0-1.92.496-1.92 1.618 0 1.08.82 1.49 1.812 1.49 1.014 0 1.92-.497 1.92-1.62z" fill-rule="evenodd" fill="#000"></path></svg></div>
<div class="artstyle__container__body">
<div class="artstyle__container__text">
Shania Twain: Now. Mercury/Universal. <span>Live: 11/10, Ziggo Dome, Amsterdam.</span></div>
</div>
</div>
<div class="artstyle__text" data-element-id="42ee-0868-e6bb-16e6-e42f-0b98-65b8-8349">
Aan
de vooravond van het Shania Twain-concert in de Amsterdamse Ziggo Dome
is het aardig om de recensie van toen even terug te lezen. Wat schreef <i>de Volkskrant</i> ook weer over haar vorige, tot dusver enige bezoek aan Nederland, met <a href="https://www.volkskrant.nl/nieuws-achtergrond/buurvrouw-shania-twain-laat-niets-aan-toeval-over~be391419/">concerten op 4 en 5 maart 2004 in Ahoy, Rotterdam</a>?.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
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. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .</div>
<div class="artstyle__text" data-element-id="8833-7b40-4e4c-8bd8-f0b9-f03c-1e4c-bd93">
<span>Ze
zong goed, vonden we, de toen 38-jarige ‘Queen of Country Pop’ uit
Canada en de bestverkochte popvrouw van de tien jaren daarvoor. Ze
bewandelde ‘met gratie het plankier’ en toonde zich even professioneel
als vriendelijk, ‘telkens weer bereid om, al zingend, op al die
toegestoken posters, kalenders en cd’s een vlugge kras te zetten. Pen in
de ene hand, microfoon in de andere.’</span></div>
<div class="artstyle__text" data-element-id="3ad0-7c13-1274-a576-7637-c9ba-5913-cccf">
Vrolijke boel, maar de schijn bedroog. In werkelijkheid, zo onthulde ze in 2011 in haar autobiografie <i>From This Moment On</i>,
donderde Shania Twain (in 1965 geboren geboren als Eileen Edwards)
tijdens die wereldtournee bijkans in elkaar van ellende. Vermoeid. Slap.
Chronisch duizelig. Ziekte van Lyme opgelopen door een tekenbeet. De
aandoening verlamde haar stembanden: jarenlang vreesde ze dat ze nooit
meer zou kunnen zingen.</div>
<div class="artstyle__text" data-element-id="e9e4-3c75-d621-5275-00b1-00ab-6964-b6cb">
Toen
ze in 2008 fysiek weer was opgekrabbeld, volgde een mentale dreun. Haar
man Robert ‘Mutt’ Lange (ook haar producer en co-songschrijver) bleek
een affaire te hebben met Shania’s assistent en hartsvriendin Marie-Anne
Thiébaud. Einde huwelijk, na vijftien jaar. Gezin gebroken, Shania
kapot. De ziekte en het huwelijksdrama joegen haar zeven jaar volledig
uit beeld: geen plaat, geen tournee, niets.</div>
<div class="artstyle__text" data-element-id="0c5e-3270-5d15-1e38-7091-0c62-edf1-464b">
Nu
is ze terug en komt ze voor de tweede keer naar Nederland, 53 jaar, met
haar eerste studioalbum in vijftien jaar in de bagage: <i>Now</i>,
september 2017. Haar stem is wat lager en heser geworden. Ze heeft een
nieuwe echtgenoot: Frédéric, of gewoon Fred, nota bene de ex-man van
Marie-Anne Thiébaud: een gepeperd en in de Noord-Amerikaanse roddelpers
breed uitgemeten geval van ‘<i>marriage-go-round</i>’.</div>
<div class="artstyle__text" data-element-id="d831-5b88-0b7b-b2d7-ffd5-114a-e6d1-3227">
In 2011 contracteerde Caesars Palace in Las Vegas haar voor een twee jaar durende <i>residency. </i>Die
reeks van 105 concerten (2012-2014) bezorgde haar het plezier, het
zelfvertrouwen en een deel van haar vocale elasticiteit terug. Ze zette
zich in 2013 aan nieuwe songs, bestemd voor wat <i>Now </i>zou worden.
Ze schreef in haar eentje. Voor het eerst, want voorheen was haar muziek
een huwelijkse coproductie met Lange. Het paar deelde alle credits.</div>
<div class="artstyle__text" data-element-id="2b94-46f2-b0dd-6dd8-f50a-aa52-7597-7b5e">
<i> Now</i>
is niet zo’n beste plaat, daar waren de meeste critici het over eens.
Wel deden ze hun best dat zo vriendelijk mogelijk op te schrijven, want
Shania heeft het al moeilijk genoeg gehad. Het album verkocht matig,
maar in een opzicht is het intrigerend. Waar Shania Twain in haar
succesjaren (1995-2004) het verwijt kreeg dat ze jofele countrypop
maakte zonder ooit eens iets van zichzelf te tonen, legt ze op het
muzikaal wat non-descripte <i>Now</i> wel alle kaarten open op tafel in haar teksten.</div>
<figure class="artstyle__figure" data-element-id="3e1f3a5f-2a79-47e3-9996-14ddb8cb37e4"><img class="artstyle__image fjs-lazy-image" data-credit="Foto BB Gun press" data-height="1688" data-original="https://images4.persgroep.net/rcs/aX0IoFEHCstJ2l6StydIvwQppkc/diocontent/133475885/_fitwidth/1240?appId=93a17a8fd81db0de025c8abd1cca1279&quality=0.9" data-src="https://images2.persgroep.net/rcs/jVRVP9agdx1YAa7eCPAipgMeX8k/diocontent/133475885/_fitwidth/763?appId=93a17a8fd81db0de025c8abd1cca1279&quality=0.8" data-title="Shania Twain. " data-width="1778" src="https://images2.persgroep.net/rcs/jVRVP9agdx1YAa7eCPAipgMeX8k/diocontent/133475885/_fitwidth/763?appId=93a17a8fd81db0de025c8abd1cca1279&quality=0.8" /><figcaption class="artstyle__figcaption"><cite class="artstyle__figcaption__caption">Shania Twain. </cite> <span class="artstyle__figcaption__credit">Foto BB Gun press</span></figcaption></figure><div class="artstyle__text" data-element-id="7df3-238a-9b4b-0f96-8340-ca70-b0a2-a46b">
Ze
zingt over haar ziekte, haar echtscheiding, haar haat jegens Marie-Anne
en ook over haar ellendige, armoedige jeugd in de Canadese provincie
Ontario, waar ze opgroeide zonder haar biologische vader, maar met een
alcoholverslaafde, gewelddadige stiefvader genaamd Jerry. Dat ze ondanks
alles van haar moeder en Jerry hield, bleek toen ze in 1987 allebei
omkwamen bij een auto-ongeluk. Shania was gebroken. Tegen die tijd had
ze Jerry’s achternaam aangenomen: Edwards was Twain geworden.</div>
<div class="artstyle__text" data-element-id="fc4d-5405-fe40-bee7-76d3-19c5-daad-3aae">
Dat
ze op haar succesplaten nooit zong over haar rafelige leven, maar
liever mooi weer speelde in niks-aan-de-hand-liedjes, verklaart ten dele
waarom de artistieke waardering voor haar succesvolste album <i>Come On Over</i>
(1997) zo ver achterblijft bij de commerciële merites ervan: het is het
bestverkochte countryalbum uit de geschiedenis en ook het bestverkochte
album van een vrouwelijke artiest. </div>
<div class="artstyle__text" data-element-id="d0b4-cb33-8a94-75ba-f95f-ccb8-0020-c583">
Lijstjes van bestverkochte albums zijn nooit volledig betrouwbaar (de cijfers zijn zelden ‘hard’) maar <i>Come On Over</i>
staat bijna altijd in de toptien en soms in de topvijf van
meestverkochte albums uit de pophistorie: minimaal dertig miljoen, maar
vrijwel zeker meer dan veertig miljoen exemplaren. Tel daar de verkopen
van <i>The Woman In Me</i> (1995) en <i>Up!</i> (2002) bij (elk ongeveer
twintig miljoen stuks) en je komt op een bijna bizar verkooptotaal voor
drie opeenvolgende studioalbums van één artiest. Ter indicatie: Madonna
en Prince haalden de tachtig miljoen nooit met drie opeenvolgende
studioalbums. Michael Jackson wel: ruim honderd miljoen stuks van <i>Thriller </i>en <i>Bad.</i></div>
<div class="artstyle__text" data-element-id="7df5-b30c-ac17-df59-78df-4041-902e-3cb8">
De
succesformule? Twains muziek klonk elke Amerikaan als country (en dus
vertrouwd) in de oren, maar het was gewoon pop. Nu eens met rockgitaren,
dan weer met een elektronisch behangetje erachter en altijd geschreven
in opgewekte majeur, daar waar ‘echte’ country vaak droevig van toon is.</div>
<div class="artstyle__container">
<div class="artstyle__container__icon">
<svg viewbox="0 0 25 26" xmlns="http://www.w3.org/2000/svg"><path d="M25 12.754c0 6.903-5.596 12.5-12.5 12.5S0 19.657 0 12.754 5.596.254 12.5.254 25 5.851 25 12.754zM14.761 17.55l-.475-.366c-.172.259-.517.863-.97.863-.26 0-.389-.13-.389-.497 0-.237.086-.755.367-2.308l.582-3.258c.087-.54.324-1.791.324-2.417 0-.712-.194-1.813-1.92-1.813-1.877 0-2.913 1.878-3.28 2.568l.475.388c.15-.258.518-.863.95-.863.258 0 .41.13.41.475 0 .237-.066.734-.368 2.33l-.625 3.259c-.108.539-.303 1.79-.303 2.416 0 .712.216 1.813 1.942 1.813 1.856 0 2.892-1.878 3.28-2.59zM15.02 5.49C15.02 4.41 14.178 4 13.208 4c-1.015 0-1.92.496-1.92 1.618 0 1.08.82 1.49 1.812 1.49 1.014 0 1.92-.497 1.92-1.62z" fill-rule="evenodd" fill="#000"></path></svg></div>
<div class="artstyle__container__body">
<h4 class="artstyle__container__title">
<span>Hits! Hits! Hits!</span></h4>
<div class="artstyle__container__text">
Op <i>Come On Over</i> (1997) van Shania Twain staan zestien liedjes, waarvan er in Noord-Amerika 2000 twaalf (!) op single verschijnen. <i>You’re Still The One </i>(#2 in de VS, #10 in Nederland) markeert haar grote oversteek naar het poppubliek. Grootste hits van het album zijn het olijke <i>That Don’t Impress Me Much</i> (1998) en een jaar later het lichtvoetig feministische <i>Man! I Feel Like A Woman</i>, goed voor een tweede en een zevende plaats in de Nederlandse Top 40. </div>
</div>
</div>
<div class="artstyle__text" data-element-id="a170-6b08-a8ca-c54b-2932-2c62-80ec-18e4">
Shania
was een ‘gewoon meisje’ uit een arm gezin, maar geen boerenmeid op
cowboylaarzen. Ze was een oogverblindend mooie popkoningin in glitter-<i>catsuits </i>en
topjes. Ze schitterde in haar eigen Vegas-achtige glamourshow, maar was
toch vooral gewoon. Niet boos, zoals de jonge Alanis Morissette. Wel
sexy, maar nooit intimiderend of kinky, zoals Madonna. </div>
<div class="artstyle__text" data-element-id="af9f-48cd-2501-36f4-1361-8e53-5a1c-8005">
Het
bleek een gouden greep. Countryheldin Dolly Parton had al wel geflirt
met pop en glamour in de country, maar nooit met zulk immens commercieel
succes als Shania Twain vanaf 1995. Ze trapte de deur naar de
mainstream open voor een hele lichting countrypopvrouwen: sommige waren
jonger (LeAnn Rimes, Dixie Chicks), andere waren generatiegenoten
(Faith Hill, Lee Ann Womack, Trisha Yearwood) die plotseling veel meer
succes kregen omdat ze hun geluid na 1995 ‘verpopten’ à la Shania. </div>
<div class="artstyle__text" data-element-id="bd82-3cae-faa1-3ee8-653a-092d-0fc5-be58">
Het
was het klimaat waarin ook de Nederlandse Ilse DeLange (via Nashville)
mocht debuteren en doorbreken. Zonder Shania Twain ook geen Taylor
Swift: de misschien wel grootste popster van deze tijd zegt zeer te zijn
geïnspireerd door Twains uiterlijke verschijning en sound met een
vleugje country.</div>
<div class="artstyle__text" data-element-id="7db4-5736-b68e-3ae3-3921-4230-b0ae-7c2d">
De
populariteit van de vrouwelijke countrypop bereikte een torenhoge piek
in 1998, het oogstjaar van het in november 1997 verschenen <i>Come On Over</i>.
Het waren de topjaren (maar tevens laatste succesjaren) van de compact
disc als muziekdrager, maar 1998 was daarnaast hét commerciële
gloriejaar van de Canadese popmuziek. </div>
<div class="artstyle__text" data-element-id="3ee1-2376-18dd-0e34-33fa-9019-510b-6ac7">
Behalve Shania Twain verkochten Céline Dion en Alanis Morissette miljoenen cd’s: Dion bracht <i>Let’s Talk About Love</i> uit (november 1997, met haar kolossale<i> Titanic</i>-hit <i>My Heart Will Go On</i>), Morissette kwam met <i>Supposed Former Infatuation Junkie</i> (november 1998; vijf miljoen stuks binnen een maand, terwijl voorganger <i>Jagged Little Pill </i>uit 1995 nog altijd hoog in de charts stond en in 1998 de dertien miljoen aantikte).</div>
<figure class="artstyle__figure" data-element-id="02d74e36-6f6a-4a75-b401-f8103a079bc1"><img class="artstyle__image fjs-lazy-image" data-credit="Foto Getty Images" data-height="2000" data-original="https://images3.persgroep.net/rcs/XWN2Yb8RcTwR40sLhi-KvKKiBvU/diocontent/133476166/_fitwidth/1240?appId=93a17a8fd81db0de025c8abd1cca1279&quality=0.9" data-src="https://images3.persgroep.net/rcs/MJyCDHzrLeQRDMc3xnovNsYf8ok/diocontent/133476166/_fitwidth/763?appId=93a17a8fd81db0de025c8abd1cca1279&quality=0.8" data-title="Shania Twain tijdens een optreden in Canada in 1999." data-width="1328" src="https://images3.persgroep.net/rcs/MJyCDHzrLeQRDMc3xnovNsYf8ok/diocontent/133476166/_fitwidth/763?appId=93a17a8fd81db0de025c8abd1cca1279&quality=0.8" /><figcaption class="artstyle__figcaption"><cite class="artstyle__figcaption__caption">Shania Twain tijdens een optreden in Canada in 1999.</cite> <span class="artstyle__figcaption__credit">Foto Getty Images</span></figcaption></figure><div class="artstyle__text" data-element-id="86e5-f425-2145-23ea-8b72-a66e-bc44-38ec">
Zo
markeerden 1998 en 1999 een historisch kantelpunt: voor het eerst in de
geschiedenis verkochten vrouwen meer albums dan mannen. Madonna
(wederopstanding met <i>Ray Of Light</i>), Lauryn Hill en R&B-kanon
Toni Braxton droegen daar fors aan bij, maar de hardste klappen kwamen
toch van Canada’s ‘Grote Drie’ én de countrypopvrouwen. Shania Twain was
met <i>Come On Over</i> vaandeldrager van beide bewegingen.</div>
<div class="artstyle__text" data-element-id="8434-dbec-d07e-1104-4b36-4005-f241-fafa">
En
wat doe je dan, als je twintig jaar na dat succes aan je eerste
wereldtournee in veertien jaar begint? Stemmig gekleed de aandacht
vragen voor de weinig meezingbare biechtsongs van <i>Now</i>? Welnee,
ben je gek. Glitterjurken, visueel spektakel en alle hits van twintig
jaar geleden worden gespeeld, donderdag in Amsterdam.</div>
<div class="artstyle__text" data-element-id="ea33-3206-6124-3b17-d6ce-6de9-1c88-aa9f">
Een toontje lager gezongen, dat wel.</div>
<div class="artstyle__container">
<div class="artstyle__container__icon">
<svg viewbox="0 0 25 26" xmlns="http://www.w3.org/2000/svg"><path d="M25 12.754c0 6.903-5.596 12.5-12.5 12.5S0 19.657 0 12.754 5.596.254 12.5.254 25 5.851 25 12.754zM14.761 17.55l-.475-.366c-.172.259-.517.863-.97.863-.26 0-.389-.13-.389-.497 0-.237.086-.755.367-2.308l.582-3.258c.087-.54.324-1.791.324-2.417 0-.712-.194-1.813-1.92-1.813-1.877 0-2.913 1.878-3.28 2.568l.475.388c.15-.258.518-.863.95-.863.258 0 .41.13.41.475 0 .237-.066.734-.368 2.33l-.625 3.259c-.108.539-.303 1.79-.303 2.416 0 .712.216 1.813 1.942 1.813 1.856 0 2.892-1.878 3.28-2.59zM15.02 5.49C15.02 4.41 14.178 4 13.208 4c-1.015 0-1.92.496-1.92 1.618 0 1.08.82 1.49 1.812 1.49 1.014 0 1.92-.497 1.92-1.62z" fill-rule="evenodd" fill="#000"></path></svg></div>
<div class="artstyle__container__body">
<div class="artstyle__container__text">
Daar
komt Shania aan in haar sexy overall met panterprint. Ze komt ons
precies vertellen hoe het zit met de mannen. Op de straffe drumbeat en
het tikken op de koebel zit je al ritmisch met je hoofd te knikken.
Vrolijk rinkelend gitaartje erbij. Dit is pretcountry. Het stramien is
duidelijk: elk couplet behandelt een man die zich onweerstaanbaar acht,
waarna Shania (en haar miljoenen vriendinnen) in de opstijgende <i>bridge</i> schaterend het hoofd schudden ('<i>oooh-oo-ooh, you think you're special</i>'). En dan die plotselinge <i>break</i>:
het liedje houdt even schalks de pas in, laat de man in kwestie
dichterbij komen... waarna Shania hem als een Tinder-afdanker naar links
<i>swipet</i>: '<i>That don't impress me much. So you got the looks, but have you got the touch?</i>'
Fijne gitaarlick er achteraan en dóór naar de volgende knappe sukkel.
Shania bezingt ze losjes, met af en toe een hoorbaar lachje, in haar
ultieme goed-humeur-lied. (MP)</div>
</div>
</div>
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P.http://www.blogger.com/profile/06014774026847073174noreply@blogger.com0tag:blogger.com,1999:blog-8342152624558236645.post-39266208039862920422018-10-11T02:30:00.002-07:002018-10-12T09:22:59.469-07:00Moby Grape - https://www.youtube.com/watch?v=z0StRGbuNTI<br />
<br />
Nogmaals: https://www.youtube.com/watch?v=DOtojk-ualU P.http://www.blogger.com/profile/06014774026847073174noreply@blogger.com0tag:blogger.com,1999:blog-8342152624558236645.post-55228230368618704152018-10-10T02:33:00.000-07:002018-10-10T02:33:54.265-07:00<div class="page-heading clearfix" style="-webkit-text-stroke-width: 0px; background-color: transparent; border-bottom-color: rgb(68, 68, 68); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(68, 68, 68); border-left-style: none; border-left-width: 0px; border-right-color: rgb(68, 68, 68); border-right-style: none; border-right-width: 0px; border-top-color: rgb(68, 68, 68); border-top-style: none; border-top-width: 0px; box-sizing: border-box; clear: none; color: #444444; display: block; font-family: "Source Sans Pro",sans-serif; font-size-adjust: none; font-size: 16px; font-stretch: 100%; font-style: normal; font-variant: normal; font-weight: 300; height: 94px; letter-spacing: normal; line-height: 22px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; orphans: 2; overflow: visible; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 24px; position: relative; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; visibility: visible; white-space: normal; width: 940px; word-spacing: 0px; zoom: 1;">
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Ry Cooder in Koninklijk Theater Carré</h1>
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<img alt="" class="alignnone wp-image-17547 size-full" height="827" src="http://lflmagazine.nl/wp-content/uploads/Ry-Cooder.jpg" style="border-bottom-color: rgb(68, 68, 68); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(68, 68, 68); border-left-style: none; border-left-width: 0px; border-right-color: rgb(68, 68, 68); border-right-style: none; border-right-width: 0px; border-top-color: rgb(68, 68, 68); border-top-style: none; border-top-width: 0px; display: block; font-family: "Source Sans Pro",sans-serif; font-size-adjust: none; font-size: 16px; font-stretch: 100%; font-style: normal; font-variant: normal; font-weight: 300; height: 419.93px; line-height: 22px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; max-width: 620px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;" width="1221" /></div>
<div style="border-bottom-color: rgb(68, 68, 68); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(68, 68, 68); border-left-style: none; border-left-width: 0px; border-right-color: rgb(68, 68, 68); border-right-style: none; border-right-width: 0px; border-top-color: rgb(68, 68, 68); border-top-style: none; border-top-width: 0px; font-family: "Source Sans Pro",sans-serif; font-size-adjust: none; font-size: 16px; font-stretch: 100%; font-style: normal; font-variant: normal; font-weight: 300; line-height: 22px; margin-bottom: 20px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline; visibility: visible;">
<strong style="border-bottom-color: rgb(68, 68, 68); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(68, 68, 68); border-left-style: none; border-left-width: 0px; border-right-color: rgb(68, 68, 68); border-right-style: none; border-right-width: 0px; border-top-color: rgb(68, 68, 68); border-top-style: none; border-top-width: 0px; font-family: "Source Sans Pro",sans-serif; font-size-adjust: none; font-size: 16px; font-stretch: 100%; font-style: normal; font-variant: normal; font-weight: 700; line-height: 22px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Ry Cooder kwam maandagavond in Carr</strong><strong style="border-bottom-color: rgb(68, 68, 68); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(68, 68, 68); border-left-style: none; border-left-width: 0px; border-right-color: rgb(68, 68, 68); border-right-style: none; border-right-width: 0px; border-top-color: rgb(68, 68, 68); border-top-style: none; border-top-width: 0px; font-family: "Source Sans Pro",sans-serif; font-size-adjust: none; font-size: 16px; font-stretch: 100%; font-style: normal; font-variant: normal; font-weight: 700; line-height: 22px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">é het podium op met het haar in een lange grijze staart gebonden, onder een bruine hoed, en in zijn hand een laptop die hij bij de microfoon op de grond zette en verder de hele avond niet meer aanraakte. Om vervolgens het concert te openen met Nobody’s Fault But Mine van Blind Willie Johnson uit 1927. Niet in de Led Zeppelin-versie uit de jaren zeventig, maar in de Johnson-stijl, zoals het ook op Cooders meest recente album The Prodigal Son te vinden is.</strong></div>
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Hij wordt begeleid door Sam Gendel op altsax, verder is het podium vooralsnog leeg. De saxofonist haalt desolate klanken uit zijn instrument die middels elektronische effecten nog meer vervreemdend klinken. Cooder speelt slide op de akoestische gitaar en zingt, wat onvast maar met veel overtuiging. Daarbij houdt hij het tempo bewust laag. Het resulteert in een kale, indringende bluessong. En een ‘statement’ dat eigenlijk het hele concert samenvat: Bij Cooder gaat het niet om het spelen van zoveel mogelijk noten, maar om het spelen van de juiste noten. En op het juiste moment. Diepgang boven vingervlugheid.</div>
<div style="border-bottom-color: rgb(68, 68, 68); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(68, 68, 68); border-left-style: none; border-left-width: 0px; border-right-color: rgb(68, 68, 68); border-right-style: none; border-right-width: 0px; border-top-color: rgb(68, 68, 68); border-top-style: none; border-top-width: 0px; font-family: "Source Sans Pro",sans-serif; font-size-adjust: none; font-size: 16px; font-stretch: 100%; font-style: normal; font-variant: normal; font-weight: 300; line-height: 22px; margin-bottom: 20px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline; visibility: visible;">
<strong style="border-bottom-color: rgb(68, 68, 68); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(68, 68, 68); border-left-style: none; border-left-width: 0px; border-right-color: rgb(68, 68, 68); border-right-style: none; border-right-width: 0px; border-top-color: rgb(68, 68, 68); border-top-style: none; border-top-width: 0px; font-family: "Source Sans Pro",sans-serif; font-size-adjust: none; font-size: 16px; font-stretch: 100%; font-style: normal; font-variant: normal; font-weight: 700; line-height: 22px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Zoals in 1988<br />
</strong>En om het maar direct gezegd te hebben, de inmiddels 71-jarige Ry Cooder gaf maandag in Amsterdam zijn beste Nederlandse concert sinds 1988, toen hij pas net de veertig gepasseerd was en in het Utrechtse Vredenburg en hetzelfde Amsterdamse Carré aantrad met een heuse ‘superband’. Nu heeft de Amerikaan door de jaren heen niet zo bijster veel in ons land opgetreden. In de halve eeuw die z’n carrière nu omvat is hij een keer of zes de oceaan over komen vliegen. In de jaren tachtig nog voor wat tours waarbij hij vier of vijf steden aandeed en de laatste decennia steeds voor één of twee concerten, zoals nu.</div>
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Rockliefhebbers kennen het verhaal: In de jaren tachtig en negentig had de gitarist een tijdlang zijn handen vol aan succesvolle filmscores, zoals voor Tony Richardsons The Border (1982) en Wim Wenders’ Paris, Texas (1984). En vanaf de late jaren negentig slokte zijn bemoeienis met het uiterst succesvolle Buena Vista Social Club-project alle tijd op. Of hij had het te druk met de Indiase gitarist Vishwa Mohan Bhatt, de Malinees Ali Farka Touré of de Ierse Chieftains, waardoor tournees er tijden lang niet in zaten, laat staan het maken van typische ‘Ry Cooder-platen’.</div>
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<strong style="border-bottom-color: rgb(68, 68, 68); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(68, 68, 68); border-left-style: none; border-left-width: 0px; border-right-color: rgb(68, 68, 68); border-right-style: none; border-right-width: 0px; border-top-color: rgb(68, 68, 68); border-top-style: none; border-top-width: 0px; font-family: "Source Sans Pro",sans-serif; font-size-adjust: none; font-size: 16px; font-stretch: 100%; font-style: normal; font-variant: normal; font-weight: 700; line-height: 22px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Slidegitaar<br />
</strong>Met dat laatste bedoel ik dan vooral de albums die hij in de jaren zeventig volspeelde en waarop hij zijn talent als slidegitarist losliet op vooral bestaande blues-, soul-, folk-, gospel- en countrysongs. En soms ook op zelfgeschreven repertoire in die stijlen. Lp’s als Into The Purple Valley (1972) en Bop Till You Drop (1979) schopten het tot de top van de favoriete albums van de muziekcritici in dat decennium. Sinds 2005 maakt Cooder weer soloalbums in die stijl, waarbij hij zich steeds overtuigender als songschrijver manifesteert. Toch bevat zijn meest recente plaat, het afgelopen voorjaar verschenen The Prodigal Son, weer merendeels reeds bestaand folk-, blues- en gospelrepertoire.</div>
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Maar terug naar Ry Cooder als podiummuzikant. In 1988 gaf hij enkele concerten in ons land in een onwaarschijnlijk sterke bezetting met onder meer Flaco Jiménez op accordeon, Jim Dickinson aan de piano, Jim Keltner op drums en de soulreuzen Terry Evans en Bobby King in het achtergrondkoor. Bij latere bezoeken aan ons land, in de jaren negentig en afgelopen decennium, nam de Amerikaan steeds een minder omvangrijk gezelschap mee. Ik de jaren negentig enkele keren collega-snarenvirtuoos David Lindley en in 2009 Nick Lowe – Ry’s zoon Joachim was daar ook steeds bij op percussie. Dat was altijd wel oké, maar die opwindend broeierige sfeer van de concerten in 1988 ontbrak. In 2009 was het uiteindelijk zelfs Lowe die voor het onbetwiste hoogtepunt zorgde met een schitterende versie van (What’s So Funny ‘Bout) Peace, Love And Understanding.</div>
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<strong style="border-bottom-color: rgb(68, 68, 68); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(68, 68, 68); border-left-style: none; border-left-width: 0px; border-right-color: rgb(68, 68, 68); border-right-style: none; border-right-width: 0px; border-top-color: rgb(68, 68, 68); border-top-style: none; border-top-width: 0px; font-family: "Source Sans Pro",sans-serif; font-size-adjust: none; font-size: 16px; font-stretch: 100%; font-style: normal; font-variant: normal; font-weight: 700; line-height: 22px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">The Prodigal Son<br />
</strong>Hoe anders is het ditmaal. Naast Cooder zelf drie instrumentalisten – zoon Joachim, de al genoemde Sam Gendel en op bas Mark Fain, een man uit Nashville die met iedereen van Dixie Chicks tot Ricky Skaggs speelde. Plus een driekoppig soul/gospelkoortje, The Hamiltones uit North Carolina, dat zich met het legendarische koppel Evans & King kan meten. Pakweg de ene helft van het gespeelde repertoire komt van The Prodigal Son en de andere helft van de albums uit de jaren zeventig. Uit de tussenliggende periode niets.</div>
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Na de concertopener Nobody’s Fault But Mine gaat de gitarist meteen verder met nog een song van gospel- en bluesman Blind Willie Johnson: Everybody Ought To Treat A Stranger Right, dat ook op The Prodigal Son te vinden is. Ditmaal met de complete band plus Hamiltones en het tempo gaat onmiddellijk omhoog. Daarna Straight Street, een nummer van de gospelgroep The Pilgrim Travellers uit de jaren vijftig. Weer langzamer en inmiddels wordt ook steeds duidelijker wat Gendels specifieke rol in het geheel is. Hij heeft de apparatuur waarmee hij middels zijn saxofoons de muziek op tal van manieren kan inkleuren, alsof hij een klavier met alle mogelijke klanken tot zijn beschikking heeft.</div>
<div style="border-bottom-color: rgb(68, 68, 68); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(68, 68, 68); border-left-style: none; border-left-width: 0px; border-right-color: rgb(68, 68, 68); border-right-style: none; border-right-width: 0px; border-top-color: rgb(68, 68, 68); border-top-style: none; border-top-width: 0px; font-family: "Source Sans Pro",sans-serif; font-size-adjust: none; font-size: 16px; font-stretch: 100%; font-style: normal; font-variant: normal; font-weight: 300; line-height: 22px; margin-bottom: 20px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline; visibility: visible;">
<strong style="border-bottom-color: rgb(68, 68, 68); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(68, 68, 68); border-left-style: none; border-left-width: 0px; border-right-color: rgb(68, 68, 68); border-right-style: none; border-right-width: 0px; border-top-color: rgb(68, 68, 68); border-top-style: none; border-top-width: 0px; font-family: "Source Sans Pro",sans-serif; font-size-adjust: none; font-size: 16px; font-stretch: 100%; font-style: normal; font-variant: normal; font-weight: 700; line-height: 22px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Herkenning<br />
</strong>Na Straight Street is er dan voor het eerst een herkenningsapplaus als Cooder de Arthur Alexander-cover Go Home Girl van het Bop Till You Drop-album inzet, onmiddellijk gevolgd door The Very Thing That Makes You Rich van diezelfde plaat. Twee stukken waarin The Hamiltones kunnen schitteren en waarmee de gitarist het trio gelijk lanceert voor een eigen nummer – 74, over een autoweg in North Carolina – zodat de veteraan zelf heel even achter de coulissen op adem kan komen. Al wekt hij niet de indruk die pauze echt nodig te hebben.</div>
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Een paar minuten later is hij ook alweer terug en verdwijnen de anderen van het podium. Cooder zet helemaal solo en semi-akoestisch Vigilante Man in, dat hij in 1972 al opnam voor zijn Into The Purple Valley-album. De song van Woody Guthrie uit 1940 is een felle aanval op de wetteloze gewapende – en vaak criminele – burgermilities die in de Verenigde Staten in de vorige eeuw onder meer migranten uit de steden verjoegen. Cooder speelt het traag en vertelt het verhaal meer dan dat hij het zingt. En misschien heeft het juist daarom wel zo’n impact.</div>
<div style="border-bottom-color: rgb(68, 68, 68); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(68, 68, 68); border-left-style: none; border-left-width: 0px; border-right-color: rgb(68, 68, 68); border-right-style: none; border-right-width: 0px; border-top-color: rgb(68, 68, 68); border-top-style: none; border-top-width: 0px; font-family: "Source Sans Pro",sans-serif; font-size-adjust: none; font-size: 16px; font-stretch: 100%; font-style: normal; font-variant: normal; font-weight: 300; line-height: 22px; margin-bottom: 20px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline; visibility: visible;">
<strong style="border-bottom-color: rgb(68, 68, 68); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(68, 68, 68); border-left-style: none; border-left-width: 0px; border-right-color: rgb(68, 68, 68); border-right-style: none; border-right-width: 0px; border-top-color: rgb(68, 68, 68); border-top-style: none; border-top-width: 0px; font-family: "Source Sans Pro",sans-serif; font-size-adjust: none; font-size: 16px; font-stretch: 100%; font-style: normal; font-variant: normal; font-weight: 700; line-height: 22px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Cooder als Jezus<br />
</strong>De zanger benadrukt dat de song anno 2018 eigenlijk actueler is dan ooit – zoals hij in feite stuk voor stuk oude nummers kiest die nog niets aan betekenis hebben ingeboet en vervolgt dan met zijn zelfgeschreven Jesus And Woody – ook weer van The Prodigal Son, dat hij inleidt met een verhaal over een steelguitar-nachtclub in de hemel, waar de drank gratis is en permanent gerookt kan worden zonder kans op longkanker. Iedere dag speelt er een andere band. Op een dag komt Jezus langs, ziet Woody Guthrie in een hoek staan en vraagt hem even mee naar buiten te komen: ‘let’s walk and talk’. Zichzelf op de akoestische gitaar begeleidend kruipt Cooder in de Jezusrol. De verlosser heeft een verzoek aan Guthrie: ‘So sing me a song ‘bout This Land Is Your Land/And fascists bound to lose/You were a dreamer, Mr. Guthrie/And I was a dreamer too’.</div>
<div style="border-bottom-color: rgb(68, 68, 68); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(68, 68, 68); border-left-style: none; border-left-width: 0px; border-right-color: rgb(68, 68, 68); border-right-style: none; border-right-width: 0px; border-top-color: rgb(68, 68, 68); border-top-style: none; border-top-width: 0px; font-family: "Source Sans Pro",sans-serif; font-size-adjust: none; font-size: 16px; font-stretch: 100%; font-style: normal; font-variant: normal; font-weight: 300; line-height: 22px; margin-bottom: 20px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline; visibility: visible;">
Maar daarmee is het engagement nog niet ten einde, want met de band terug op het podium zet de gitarist de folkgospel You Must Unload van Blind Alfred Reed uit 1927 in, waarin de hypocrisie van welgestelde christenen aan de kaak wordt gesteld. En om te onderstrepen dat er geen sprake is van ook maar de geringste willekeur, gaat de band direct verder met een andere aan het christendom gerelateerde publieksfavoriet, Jesus On The Mainline van delta-bluesman Mississippi Fred McDowell. Daarna gaat How Can A Poor Man Stand Such Times And Live?, dat Cooder destijds al voor zijn debuutplaat uit 1970 opnam en ook geschreven werd door Blind Alfred Reed, door merg en been – niet in de laatste plaats door de schitterende bijdrage van The Hamiltones. En ook deze song wordt door de Amerikaan naar het heden getrokken door in het laatste couplet de tekst te bewerken en te zingen hoe Donald Trump de verkiezingsoverwinning stal.</div>
<div style="border-bottom-color: rgb(68, 68, 68); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(68, 68, 68); border-left-style: none; border-left-width: 0px; border-right-color: rgb(68, 68, 68); border-right-style: none; border-right-width: 0px; border-top-color: rgb(68, 68, 68); border-top-style: none; border-top-width: 0px; font-family: "Source Sans Pro",sans-serif; font-size-adjust: none; font-size: 16px; font-stretch: 100%; font-style: normal; font-variant: normal; font-weight: 300; line-height: 22px; margin-bottom: 20px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline; visibility: visible;">
<strong style="border-bottom-color: rgb(68, 68, 68); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(68, 68, 68); border-left-style: none; border-left-width: 0px; border-right-color: rgb(68, 68, 68); border-right-style: none; border-right-width: 0px; border-top-color: rgb(68, 68, 68); border-top-style: none; border-top-width: 0px; font-family: "Source Sans Pro",sans-serif; font-size-adjust: none; font-size: 16px; font-stretch: 100%; font-style: normal; font-variant: normal; font-weight: 700; line-height: 22px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Tijdloos<br />
</strong>Ondertussen speelt Cooder in ieder nummer even subtiel, zijn techniek nergens als een ‘oh kijk mij eens’-variété-act presenterend, maar doeltreffend en bescheiden steeds die paar essentiële noten spelend waarmee hij zijn stempel op een nummer drukt. Met Little Sister, I Can’t Win en Down In The Boondocks, een trio publieksfavorieten van zijn jaren ’70-albums, in de finale en toegift als onvermijdelijke ‘inkoppertjes’ kan de avond niet meer stuk. Ry Cooder onderstreept niet alleen zijn klasse als gitarist, maar toont ook nog eens fijntjes aan hoe onwaarschijnlijk tijdloos bijna een eeuw oude blues- en folksongs kunnen zijn.</div>
<div style="border-bottom-color: rgb(68, 68, 68); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(68, 68, 68); border-left-style: none; border-left-width: 0px; border-right-color: rgb(68, 68, 68); border-right-style: none; border-right-width: 0px; border-top-color: rgb(68, 68, 68); border-top-style: none; border-top-width: 0px; font-family: "Source Sans Pro",sans-serif; font-size-adjust: none; font-size: 16px; font-stretch: 100%; font-style: normal; font-variant: normal; font-weight: 300; line-height: 22px; margin-bottom: 20px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline; visibility: visible;">
<em style="border-bottom-color: rgb(68, 68, 68); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(68, 68, 68); border-left-style: none; border-left-width: 0px; border-right-color: rgb(68, 68, 68); border-right-style: none; border-right-width: 0px; border-top-color: rgb(68, 68, 68); border-top-style: none; border-top-width: 0px; font-family: "Source Sans Pro",sans-serif; font-size-adjust: none; font-size: 16px; font-stretch: 100%; font-style: italic; font-variant: normal; font-weight: 300; line-height: 22px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Ry Cooder in Koninkijk Theater Carré, Amsterdam<br />
</em><em style="border-bottom-color: rgb(68, 68, 68); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(68, 68, 68); border-left-style: none; border-left-width: 0px; border-right-color: rgb(68, 68, 68); border-right-style: none; border-right-width: 0px; border-top-color: rgb(68, 68, 68); border-top-style: none; border-top-width: 0px; font-family: "Source Sans Pro",sans-serif; font-size-adjust: none; font-size: 16px; font-stretch: 100%; font-style: italic; font-variant: normal; font-weight: 300; line-height: 22px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Gezien op maandag 8 oktober 2018<br />
Foto: Vincent Valdez</em></div>
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P.http://www.blogger.com/profile/06014774026847073174noreply@blogger.com0tag:blogger.com,1999:blog-8342152624558236645.post-37690637092700045112018-06-10T05:33:00.004-07:002018-06-10T05:33:46.126-07:00<section class="article-detail-container" data-entry="{ 'id': 319937 }" id="article-detail-container" style="-webkit-text-stroke-width: 0px; background-attachment: scroll; background-clip: border-box; background-color: white; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 0, 0); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 0, 0); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 0, 0); border-top-style: none; border-top-width: 0px; color: black; display: block; font-family: Geneva,Verdana,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; orphans: 2; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; position: relative; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; white-space: normal; word-spacing: 0px;"><div class="copy entry" style="-ms-text-size-adjust: auto; -webkit-tap-highlight-color: rgba(0, 0, 0, 0); background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 0, 0); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 0, 0); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 0, 0); border-top-style: none; border-top-width: 0px; clear: both; font-family: Georgia,serif; font-size: 16px; letter-spacing: normal; line-height: 24px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; overflow: hidden; padding-bottom: 20px; padding-left: 20px; padding-right: 20px; padding-top: 0px; position: relative; vertical-align: baseline;">
<div style="-ms-text-size-adjust: auto; background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 0, 0); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 0, 0); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 0, 0); border-top-style: none; border-top-width: 0px; font-family: Georgia,serif; font-size: 16px; letter-spacing: normal; line-height: 24px; margin-bottom: 16px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">
In 1964, somewhere in London, a young <a class="ovr" href="https://www.pastemagazine.com/tag/Bob+Dylan" style="-ms-text-size-adjust: auto; -webkit-tap-highlight-color: rgba(0, 0, 0, 0); background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 194, 232); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 194, 232); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 194, 232); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 194, 232); border-top-style: none; border-top-width: 0px; color: #00c2e8; font-family: Georgia,serif; font-size: 16px; letter-spacing: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;">Bob Dylan</a><span style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 0, 0); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 0, 0); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 0, 0); border-top-style: none; border-top-width: 0px; font-family: Georgia,serif; font-size: 16px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"> </span>was busy writing the earliest drafts of “Mama You Been on My Mind.” His muse was Suze Rotolo, the beaming young woman pictured on the cover art of his sophomore classic, <i style="-ms-text-size-adjust: auto; -webkit-tap-highlight-color: rgba(0, 0, 0, 0); background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 0, 0); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 0, 0); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 0, 0); border-top-style: none; border-top-width: 0px; font-family: Georgia,serif; font-size: 16px; letter-spacing: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">The Freewheelin’ <a class="ovr" href="https://www.pastemagazine.com/tag/Bob+Dylan" style="-ms-text-size-adjust: auto; -webkit-tap-highlight-color: rgba(0, 0, 0, 0); background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 194, 232); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 194, 232); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 194, 232); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 194, 232); border-top-style: none; border-top-width: 0px; color: #00c2e8; font-family: Georgia,serif; font-size: 16px; letter-spacing: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;">Bob Dylan</a></i>. But she was somewhere else, hundreds of miles away, already moving on. </div>
<div style="-ms-text-size-adjust: auto; background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 0, 0); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 0, 0); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 0, 0); border-top-style: none; border-top-width: 0px; font-family: Georgia,serif; font-size: 16px; letter-spacing: normal; line-height: 24px; margin-bottom: 16px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">
In the song, Dylan feigns disinterest: “I don’t even mind who you’ll be waking with tomorrow.” But later, he confesses, “I’m just whispering to myself so I can’t pretend that I don’t know /Mama you are on my mind.” We can never really shake off our past loves, Dylan admits. At most, they can be tucked away, stubborn sediment to our hearts. </div>
<div style="-ms-text-size-adjust: auto; background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 0, 0); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 0, 0); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 0, 0); border-top-style: none; border-top-width: 0px; font-family: Georgia,serif; font-size: 16px; letter-spacing: normal; line-height: 24px; margin-bottom: 16px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">
“Mama You Been on My Mind” carries this weight in just about every rendition. It’s a composition that often shivers and cracks, or sprawls into rhapsodic glory. In its most exquisite takes, Dylan’s lovelorn arrangement somehow captures it all: the sweet indulgence of nostalgia and the bitterness of lost love. </div>
<div style="-ms-text-size-adjust: auto; background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 0, 0); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 0, 0); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 0, 0); border-top-style: none; border-top-width: 0px; font-family: Georgia,serif; font-size: 16px; letter-spacing: normal; line-height: 24px; margin-bottom: 16px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">
Listen to 9 gorgeous covers of the Dylan classic, recorded 54 years ago this week, below. </div>
<div style="-ms-text-size-adjust: auto; background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 0, 0); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 0, 0); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 0, 0); border-top-style: none; border-top-width: 0px; font-family: Georgia,serif; font-size: 16px; letter-spacing: normal; line-height: 24px; margin-bottom: 16px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">
<b class="big" style="-ms-text-size-adjust: auto; -webkit-tap-highlight-color: rgba(0, 0, 0, 0); background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 0, 0); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 0, 0); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 0, 0); border-top-style: none; border-top-width: 0px; font-family: Georgia,serif; font-size: 19.2px; letter-spacing: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">9. Jack Johnson</b>
<br style="font-family: Georgia,serif;" />In 2007, <a class="ovr" href="https://www.pastemagazine.com/tag/Jack+Johnson" style="-ms-text-size-adjust: auto; -webkit-tap-highlight-color: rgba(0, 0, 0, 0); background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 194, 232); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 194, 232); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 194, 232); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 194, 232); border-top-style: none; border-top-width: 0px; color: #00c2e8; font-family: Georgia,serif; font-size: 16px; letter-spacing: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;">Jack Johnson</a><span style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 0, 0); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 0, 0); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 0, 0); border-top-style: none; border-top-width: 0px; font-family: Georgia,serif; font-size: 16px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"> </span>penned this mellow take for the Dylan biopic, <i style="-ms-text-size-adjust: auto; -webkit-tap-highlight-color: rgba(0, 0, 0, 0); background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 0, 0); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 0, 0); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 0, 0); border-top-style: none; border-top-width: 0px; font-family: Georgia,serif; font-size: 16px; letter-spacing: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">I’m Not There</i>. Gentle strums and Johnson’s sweet lilt infuse a certain tenderness— there is far less pain here, but rather, a soft acceptance. </div>
<div style="-ms-text-size-adjust: auto; background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 0, 0); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 0, 0); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 0, 0); border-top-style: none; border-top-width: 0px; font-family: Georgia,serif; font-size: 16px; letter-spacing: normal; line-height: 24px; margin-bottom: 16px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">
<b class="big" style="-ms-text-size-adjust: auto; -webkit-tap-highlight-color: rgba(0, 0, 0, 0); background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 0, 0); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 0, 0); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 0, 0); border-top-style: none; border-top-width: 0px; font-family: Georgia,serif; font-size: 19.2px; letter-spacing: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">8. Dion</b>
<br style="font-family: Georgia,serif;" />
Dion is no stranger to reinvention; it’s no wonder, then, that his rendition at the Bitter End in 1971 hardly resembles Dylan’s original. Having long moved away from his spunky rock n’roll and doo-wop as frontman of The Belmonts, Dion now took refuge in folksy fingerpicking and blues. Deep plucks underscore his spacious crooning, delivering a weary— if not moody— take.</div>
<div style="-ms-text-size-adjust: auto; background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 0, 0); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 0, 0); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 0, 0); border-top-style: none; border-top-width: 0px; font-family: Georgia,serif; font-size: 16px; letter-spacing: normal; line-height: 24px; margin-bottom: 16px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">
<b class="big" style="-ms-text-size-adjust: auto; -webkit-tap-highlight-color: rgba(0, 0, 0, 0); background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 0, 0); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 0, 0); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 0, 0); border-top-style: none; border-top-width: 0px; font-family: Georgia,serif; font-size: 19.2px; letter-spacing: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">7. Idiot Wind</b>
<br style="font-family: Georgia,serif;" />Idiot Wind— a name borrowed from another one of Dylan’s songs— is the project of Swedish singer-songwriter, Amanda Bergman. Stumbling upon her work is a treat for those who love voices like <a class="ovr" href="https://www.pastemagazine.com/tag/Cat+Power" style="-ms-text-size-adjust: auto; -webkit-tap-highlight-color: rgba(0, 0, 0, 0); background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 194, 232); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 194, 232); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 194, 232); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 194, 232); border-top-style: none; border-top-width: 0px; color: #00c2e8; font-family: Georgia,serif; font-size: 16px; letter-spacing: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;">Cat Power</a>’s: Bergman’s shares a similar dusty grain, each note treading forth like it wants to collapse. It doesn’t, though—instead its tension is carried by resonant piano chords, making this the only solely piano-backed rendition on this list and a gorgeous one at that. </div>
<div style="-ms-text-size-adjust: auto; background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 0, 0); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 0, 0); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 0, 0); border-top-style: none; border-top-width: 0px; font-family: Georgia,serif; font-size: 16px; letter-spacing: normal; line-height: 24px; margin-bottom: 16px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">
<b class="big" style="-ms-text-size-adjust: auto; -webkit-tap-highlight-color: rgba(0, 0, 0, 0); background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 0, 0); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 0, 0); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 0, 0); border-top-style: none; border-top-width: 0px; font-family: Georgia,serif; font-size: 19.2px; letter-spacing: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">6. Joan Baez</b>
<br style="font-family: Georgia,serif;" />Joan Baez is a troubadour to reckon with, matched by few but <a class="ovr" href="https://www.pastemagazine.com/tag/Bob+Dylan" style="-ms-text-size-adjust: auto; -webkit-tap-highlight-color: rgba(0, 0, 0, 0); background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 194, 232); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 194, 232); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 194, 232); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 194, 232); border-top-style: none; border-top-width: 0px; color: #00c2e8; font-family: Georgia,serif; font-size: 16px; letter-spacing: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;">Bob Dylan</a>. Their relationship— as artists and lovers— created an enchanting force in folk, a shared influence that was inextricably linked as they shaped each other’s work throughout the ‘60s and ‘70s. The two performed “Mama You Been on My Mind” together often, an interestingly fraught duet: Dylan’s breakup with Suze Rotolo, the song’s initial subject, was due in part to his rumored relationship with Baez. </div>
<div style="-ms-text-size-adjust: auto; background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 0, 0); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 0, 0); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 0, 0); border-top-style: none; border-top-width: 0px; font-family: Georgia,serif; font-size: 16px; letter-spacing: normal; line-height: 24px; margin-bottom: 16px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">
Baez often performed the song solo, too, famously switching the subject to “Daddy.” Her rendition is especially urgent as her voice flits over fluttery acoustic strings, always racing toward the hook. In this 1974 performance below, she playfully dips into a Dylanesque drawl by the third verse. It’s a cheeky allusion and homage to her famed partner after a return from his first tour in eight years. </div>
<div class="audio-playlist-embed" data-track="4" data-tracks="[{"TrackID":4186,"MediaServiceID":"","Artist":"Joan Baez","Song":"Honey Love","ShowDate":"06/02/1974"},{"TrackID":4187,"MediaServiceID":"","Artist":"Joan Baez","Song":"Di Da","ShowDate":"06/02/1974"},{"TrackID":4188,"MediaServiceID":"","Artist":"Joan Baez","Song":"Blessed Are","ShowDate":"06/02/1974"},{"TrackID":4189,"MediaServiceID":"","Artist":"Joan Baez","Song":"Forever Young","ShowDate":"06/02/1974"},{"TrackID":4190,"MediaServiceID":"","Artist":"Joan Baez","Song":"Daddy, You\u0027ve Been On My Mind","ShowDate":"06/02/1974"},{"TrackID":4191,"MediaServiceID":"","Artist":"Joan Baez","Song":"Winds Of The Old Days","ShowDate":"06/02/1974"},{"TrackID":4192,"MediaServiceID":"","Artist":"Joan Baez","Song":"Gracias A La Vida","ShowDate":"06/02/1974"},{"TrackID":4193,"MediaServiceID":"","Artist":"Joan Baez","Song":"Natalia","ShowDate":"06/02/1974"},{"TrackID":4194,"MediaServiceID":"","Artist":"Joan Baez","Song":"The Ballad Of Sacco And Vanzetti","ShowDate":"06/02/1974"},{"TrackID":4195,"MediaServiceID":"","Artist":"Joan Baez","Song":"Kumbaya","ShowDate":"06/02/1974"},{"TrackID":4196,"MediaServiceID":"","Artist":"Joan Baez","Song":"Introduction","ShowDate":"06/02/1974"},{"TrackID":4197,"MediaServiceID":"","Artist":"Joan Baez","Song":"Oh, Happy Day","ShowDate":"06/02/1974"},{"TrackID":4198,"MediaServiceID":"","Artist":"Joan Baez","Song":"Interlude","ShowDate":"06/02/1974"},{"TrackID":4199,"MediaServiceID":"","Artist":"Joan Baez","Song":"The Night They Drove Old Dixie Down","ShowDate":"06/02/1974"},{"TrackID":4200,"MediaServiceID":"","Artist":"Joan Baez","Song":"Less Than A Song","ShowDate":"06/02/1974"},{"TrackID":4201,"MediaServiceID":"","Artist":"Joan Baez","Song":"Ain\u0027t You Got A Right To The Tree Of Life","ShowDate":"06/02/1974"},{"TrackID":4202,"MediaServiceID":"","Artist":"Joan Baez","Song":"Prisoner Trilogy (Billy Rose)","ShowDate":"06/02/1974"},{"TrackID":4203,"MediaServiceID":"","Artist":"Joan Baez","Song":"Love Song To A Stranger, Pt. 1","ShowDate":"06/02/1974"},{"TrackID":4204,"MediaServiceID":"","Artist":"Joan Baez","Song":"Love Song To A Stranger, Pt. 2","ShowDate":"06/02/1974"},{"TrackID":4205,"MediaServiceID":"","Artist":"Joan Baez","Song":"Interlude","ShowDate":"06/02/1974"},{"TrackID":4206,"MediaServiceID":"","Artist":"Joan Baez","Song":"Johnny, I Hardly Knew Yeh","ShowDate":"06/02/1974"},{"TrackID":4207,"MediaServiceID":"","Artist":"Joan Baez","Song":"Where\u0027s My Apple Pie (Incomplete, Part 1)","ShowDate":"06/02/1974"},{"TrackID":4704,"MediaServiceID":"","Artist":"Joan Baez","Song":"Where\u0027s My Apple Pie (Incomplete, Part 2)","ShowDate":"06/02/1974"},{"TrackID":4705,"MediaServiceID":"","Artist":"Joan Baez","Song":"Interlude","ShowDate":"06/02/1974"},{"TrackID":4706,"MediaServiceID":"","Artist":"Joan Baez","Song":"Joe Hill","ShowDate":"06/02/1974"},{"TrackID":4707,"MediaServiceID":"","Artist":"Joan Baez","Song":"Amazing Grace","ShowDate":"06/02/1974"}]" id="id28796" style="-ms-text-size-adjust: auto; -webkit-tap-highlight-color: rgba(0, 0, 0, 0); background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 0, 0); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 0, 0); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 0, 0); border-top-style: none; border-top-width: 0px; font-family: Georgia,serif; font-size: 16px; letter-spacing: normal; line-height: 24px; margin-bottom: 16px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; position: relative; vertical-align: baseline; width: 688px;">
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Joan Baez - Daddy, You've Been On My Mind <span style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 194, 232); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 194, 232); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 194, 232); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 194, 232); border-top-style: none; border-top-width: 0px; color: #00c2e8; font-size: 16px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">06/02/1974</span></div>
<div class="controls" style="-ms-text-size-adjust: auto; -webkit-tap-highlight-color: rgba(0, 0, 0, 0); background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 0, 0); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 0, 0); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 0, 0); border-top-style: none; border-top-width: 0px; font-family: Geneva,Verdana,sans-serif; font-size: 16px; height: 55px; letter-spacing: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 10px; padding-right: 10px; padding-top: 0px; vertical-align: baseline;">
<div class="features timers" style="-ms-text-size-adjust: auto; -webkit-tap-highlight-color: rgba(0, 0, 0, 0); background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(255, 255, 255); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(255, 255, 255); border-left-style: none; border-left-width: 0px; border-right-color: rgb(255, 255, 255); border-right-style: none; border-right-width: 0px; border-top-color: rgb(255, 255, 255); border-top-style: none; border-top-width: 0px; color: white; display: block; font-family: Geneva,Verdana,sans-serif; font-size: 16px; letter-spacing: normal; line-height: 18.66px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; position: absolute; right: 30px; text-align: center; top: 39px; vertical-align: middle; z-index: 1;">
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00:00</div>
/ <div class="jp-duration" style="-ms-text-size-adjust: auto; -webkit-tap-highlight-color: rgba(0, 0, 0, 0); background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(255, 255, 255); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(255, 255, 255); border-left-style: none; border-left-width: 0px; border-right-color: rgb(255, 255, 255); border-right-style: none; border-right-width: 0px; border-top-color: rgb(255, 255, 255); border-top-style: none; border-top-width: 0px; color: white; display: inline-block; font-family: Geneva,Verdana,sans-serif; font-size: 16px; letter-spacing: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: middle;">
03:04</div>
</div>
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<img alt="PASTE" class="paste" src="https://www.pastemagazine.com/pastemagazine.img/master-header-logo-blue.png" style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(255, 255, 255); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(255, 255, 255); border-left-style: none; border-left-width: 0px; border-right-color: rgb(255, 255, 255); border-right-style: none; border-right-width: 0px; border-top-color: rgb(255, 255, 255); border-top-style: none; border-top-width: 0px; color: white; display: inline-block; font-size: 12px; height: 20px; margin-bottom: 0px; margin-left: 0px; margin-right: 3px; margin-top: 3px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: middle;" /></div>
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<a class="non next" href="https://www.pastemagazine.com/articles/2018/06/bob-dylan-you-been-on-my-mind-9-best-covers.html?utm_source=PMNL&utm_medium=email&utm_campaign=180608#" style="-ms-text-size-adjust: auto; -webkit-tap-highlight-color: rgba(0, 0, 0, 0); background-attachment: scroll; background-clip: border-box; background-color: white; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 194, 232); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 194, 232); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 194, 232); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 194, 232); border-top-style: none; border-top-width: 0px; color: #00c2e8; display: block; float: none; font-family: "Montserrat",sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; left: auto; letter-spacing: normal; line-height: 18.66px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow: hidden; padding-bottom: 10px; padding-left: 115px; padding-right: 0px; padding-top: 10px; position: relative; text-align: left; text-decoration: none; text-overflow: ellipsis; text-transform: none; top: auto; vertical-align: baseline; white-space: nowrap; width: 573px;">Winds Of The Old Days</a></div>
<div style="-ms-text-size-adjust: auto; background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 0, 0); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 0, 0); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 0, 0); border-top-style: none; border-top-width: 0px; font-family: Georgia,serif; font-size: 16px; letter-spacing: normal; line-height: 24px; margin-bottom: 16px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">
<b class="big" style="-ms-text-size-adjust: auto; -webkit-tap-highlight-color: rgba(0, 0, 0, 0); background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 0, 0); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 0, 0); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 0, 0); border-top-style: none; border-top-width: 0px; font-family: Georgia,serif; font-size: 19.2px; letter-spacing: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">5. Judy Collins</b>
<br style="font-family: Georgia,serif;" />There is an effortlessness to <a class="ovr" href="https://www.pastemagazine.com/tag/Judy+Collins" style="-ms-text-size-adjust: auto; -webkit-tap-highlight-color: rgba(0, 0, 0, 0); background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 194, 232); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 194, 232); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 194, 232); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 194, 232); border-top-style: none; border-top-width: 0px; color: #00c2e8; font-family: Georgia,serif; font-size: 16px; letter-spacing: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;">Judy Collins</a>’ voice. Filmed during the 1960s on Pete Seeger’s Rainbow Quest show, her cover seems to float, a luminous marriage of bright strings and her gentle soprano. She coos over Dylan’s verses, spreading his words into silk. </div>
<div style="-ms-text-size-adjust: auto; background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 0, 0); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 0, 0); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 0, 0); border-top-style: none; border-top-width: 0px; font-family: Georgia,serif; font-size: 16px; letter-spacing: normal; line-height: 24px; margin-bottom: 16px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">
<b class="big" style="-ms-text-size-adjust: auto; -webkit-tap-highlight-color: rgba(0, 0, 0, 0); background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 0, 0); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 0, 0); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 0, 0); border-top-style: none; border-top-width: 0px; font-family: Georgia,serif; font-size: 19.2px; letter-spacing: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">4. George Harrison</b>
<br style="font-family: Georgia,serif;" />It’s easy to mistake <a class="ovr" href="https://www.pastemagazine.com/tag/George+Harrison" style="-ms-text-size-adjust: auto; -webkit-tap-highlight-color: rgba(0, 0, 0, 0); background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 194, 232); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 194, 232); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 194, 232); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 194, 232); border-top-style: none; border-top-width: 0px; color: #00c2e8; font-family: Georgia,serif; font-size: 16px; letter-spacing: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;">George Harrison</a><span style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 0, 0); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 0, 0); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 0, 0); border-top-style: none; border-top-width: 0px; font-family: Georgia,serif; font-size: 16px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"> </span>for Dylan on this track— as a longtime fan and collaborator, Harrison borrows Dylan’s nasal intonations, spinning them into a smooth melody. Acoustic strums take on a country twang, amplifying as Harrison’s voice whirls in layers by the song’s end. It’s perhaps the least removed rendition from Dylan’s, and its virtue lies in its simplistic yet evocative reinvention. </div>
<div style="-ms-text-size-adjust: auto; background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 0, 0); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 0, 0); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 0, 0); border-top-style: none; border-top-width: 0px; font-family: Georgia,serif; font-size: 16px; letter-spacing: normal; line-height: 24px; margin-bottom: 16px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">
<b class="big" style="-ms-text-size-adjust: auto; -webkit-tap-highlight-color: rgba(0, 0, 0, 0); background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 0, 0); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 0, 0); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 0, 0); border-top-style: none; border-top-width: 0px; font-family: Georgia,serif; font-size: 19.2px; letter-spacing: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">3. Jeff Buckley</b>
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Heartbreak finds its height on Buckley’s version. Recorded in 1994, this version of “Mama You Been on My Mind” is haunting insofar as Buckley’s voice feels as though it’s constantly on the verge of breaking. Acoustic guitars are abandoned here and traded for dark electric riffs, ruminating in soft waves beneath Buckley’s crooning. It’s an echo chamber of loss, sonically amplifying the mood Dylan created in words. </div>
<div style="-ms-text-size-adjust: auto; background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 0, 0); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 0, 0); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 0, 0); border-top-style: none; border-top-width: 0px; font-family: Georgia,serif; font-size: 16px; letter-spacing: normal; line-height: 24px; margin-bottom: 16px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">
<b class="big" style="-ms-text-size-adjust: auto; -webkit-tap-highlight-color: rgba(0, 0, 0, 0); background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 0, 0); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 0, 0); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 0, 0); border-top-style: none; border-top-width: 0px; font-family: Georgia,serif; font-size: 19.2px; letter-spacing: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">2. Bettye LaVette</b>
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Just a few weeks ago, <i style="-ms-text-size-adjust: auto; -webkit-tap-highlight-color: rgba(0, 0, 0, 0); background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 0, 0); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 0, 0); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 0, 0); border-top-style: none; border-top-width: 0px; font-family: Georgia,serif; font-size: 16px; letter-spacing: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Paste</i> recorded a session with the soulful LaVette; it may seem like we’re biased here, but her rendition takes Dylan’s original to brilliantly poignant crest. LaVette’s “Mama” recycles Dylan’s lyrics rather than directly upholding them, turning the meaning on its head— it becomes a ballad for motherhood, as LaVette wails “although I caused you trouble, you didn’t put me down or get upset,” tinged with the weight of the heaviest loss many of us will face in our lifetimes. </div>
<div style="-ms-text-size-adjust: auto; background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 0, 0); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 0, 0); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 0, 0); border-top-style: none; border-top-width: 0px; font-family: Georgia,serif; font-size: 16px; letter-spacing: normal; line-height: 24px; margin-bottom: 16px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">
<b class="big" style="-ms-text-size-adjust: auto; -webkit-tap-highlight-color: rgba(0, 0, 0, 0); background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 0, 0); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 0, 0); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 0, 0); border-top-style: none; border-top-width: 0px; font-family: Georgia,serif; font-size: 19.2px; letter-spacing: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">1. Linda Ronstadt</b>
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A sense of multi-genre experimentalism fills Ronstadt’s version, no doubt in part due to her own forays as an artist in rock, country, jazz, and more. Her rendition is an exceptional reworking, and like LaVette’s, creates a new atmosphere for Dylan’s song. Bombastic vocals march across the song’s fully backed instrumentals, feeding into what feels like a dizzying whirl of reminiscence. Yet it is missing much of the deep sorrow that each other cover carries, and for that, it is the most inventive and imaginative— this lack is not a loss at all.</div>
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<ul class="nof articles" style="-ms-text-size-adjust: auto; background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 0, 0); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 0, 0); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 0, 0); border-top-style: none; border-top-width: 0px; display: block; font-family: Geneva,Verdana,sans-serif; font-size: 0px; letter-spacing: normal; list-style-image: none; list-style-position: outside; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">
<li style="-ms-text-size-adjust: auto; background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 0, 0); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 0, 0); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 0, 0); border-top-style: none; border-top-width: 0px; display: block; float: left; font-family: "Montserrat",sans-serif; font-size: 16px; letter-spacing: normal; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><a class="non" href="https://www.pastemagazine.com/tag/bettye+lavette" style="-ms-text-size-adjust: auto; -webkit-tap-highlight-color: rgba(0, 0, 0, 0); background-attachment: scroll; background-clip: border-box; background-color: #f6f6f6; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(71, 71, 71); border-bottom-left-radius: 5px; border-bottom-right-radius: 5px; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(71, 71, 71); border-left-style: none; border-left-width: 0px; border-right-color: rgb(71, 71, 71); border-right-style: none; border-right-width: 0px; border-top-color: rgb(71, 71, 71); border-top-left-radius: 5px; border-top-right-radius: 5px; border-top-style: none; border-top-width: 0px; color: #474747; display: inline-block; font-family: Geneva,Verdana,sans-serif; font-size: 11.33px; letter-spacing: normal; line-height: 14.66px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 5px; padding-left: 7px; padding-right: 7px; padding-top: 3px; text-decoration: none; vertical-align: baseline;">b</a></li>
<li data-entry="{ 'id': 320013 }" style="-ms-text-size-adjust: auto; background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 0, 0); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 0, 0); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 0, 0); border-top-style: none; border-top-width: 0px; display: inline-block; font-family: Geneva,Verdana,sans-serif; font-size: 0px; letter-spacing: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 18px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: top; width: 230px;"><a class="non title" href="https://www.pastemagazine.com/articles/2018/06/the-week-in-music-pastes-favorite-songs-albums-per-32.html" style="-ms-text-size-adjust: auto; -webkit-box-orient: vertical; -webkit-line-clamp: 3; -webkit-tap-highlight-color: rgba(0, 0, 0, 0); background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: rgb(0, 0, 0); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgb(0, 0, 0); border-left-style: none; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: none; border-right-width: 0px; border-top-color: rgb(0, 0, 0); border-top-style: none; border-top-width: 0px; color: black; display: -webkit-box; font-family: "MuseoSlab-500",serif; font-size: 13.33px; height: 48px; letter-spacing: normal; line-height: 16px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; max-height: 48px; overflow: hidden; padding-bottom: 0px; padding-left: 0px; padding-right: 20px; padding-top: 0px; position: static; right: auto; text-decoration: none; text-overflow: ellipsis; top: auto; vertical-align: baseline; width: 210px;">The Week I</a></li>
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</section>P.http://www.blogger.com/profile/06014774026847073174noreply@blogger.com0